The Hangover Part III
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Muscleheads and muscle car fanatics deserve their own "Star Wars" or "Star Trek," I guess, and the Fast and the Furious movies seem to fit…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Jerry Lewis returns to Cannes in a starring role in Daniel Noah's "Max Rose," which proves once again — as "The King of Comedy" did…
Alexander Payne's "Nebraska" brings black and white, to the competition, while "Omar" delivers moral shades of gray to the Palestinian/Israeli conflict and "Michael Koolhaas" looks…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J. Abrams’ "Trek" movies.…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
Meta: Writer-director Charlie Kaufmann ("Synecdoche, New York," right) watches David Bordwell (left) take a photo of the "Far-Flung Correspondents" panel (center, rear).
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Roger Ebert introduces the " Far-Flung Correspondents" panel, moderated by Omer Mozaffer (Pakistan via Chicago, right).
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Mo' correspondents: Ali Arikan (Istanbul), Michael Mirasol (Philippines), Omar Moore (London via Chicago).
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Even more correspondents: Gerardo Valero (Mexico City), Grace Wang (China via Toronto), Seongyong Cho (South Korea).
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Chaz Ebert welcomes another audience to the Virginia Theater.
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The audience welcomes Japanese director Yojiro Tokita after a screening of his Oscar-winning comedy-weepie, "Departures."
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David Bordwell, perpetual expert Ebertfest panelist -- which is something you should try saying six times real fast. See Manohla Dargis's feature on DB in the New York Times.
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Alloy Orchestra members join Ebertfest panelists onstage for a discussion after the screening of Dziga Vertov's Soviet avant-garde silent film "Man with a Movie Camera" (1929).
All photos by jim emerson
A taste of today's tweets (most recent at top):
RT @aliarikan Roger just presented Charlie Kaufman with a Golden Thumb for Synecdoche for best film of the decade.
RT @SunsetGunShots Tonight #ebertfest: Synecdoche, New York. Is That All There Is To A Fire? http://tinyurl.com/2ajswar
Roger welcomes the Alloy Orchestra. http://yfrog.com/17wxaj #Ebertfest
Alloy Orchestra setting up for Man with a Movie Camera. http://yfrog.com/13r0ejj "Departures" - like a Bill Forsyth comedy that evolves into Capra or Bozage weepie: death, food, seasons, ritual...
Egyptian correspondent [Wael Khairy] eluded volcano and is on his way from O'Hare!
Foreign panel: Piracy/torrent may be only option for var. reasons: Diving Bell & Butterfly, Brokeback Mt., Singin' in the Rain
@aliarikan: Most popular film among young people in Istanbul is probably "Eternal Sunshine of the Spotless Mind."
Far-flung Internet correspondents from Seoul, Mexico City, London, Pakistan, China, Philippines (via Chicago, Toronto, Malaysia) Roger introducing a panel of his "foreign correspondents." http://yfrog.com/bfv0hj Panel: Do filmmakers need to take production classes? Or is liberal arts a better way to learn about story, character, metaphor? Classic archivist line "Digital/DVD will last forever or five years, whichever comes first."
David Bordwell: Distinction between film as medium and film as form. E-books are still books. Q from audience: Has the term "film" become like "dial tone," where people don't really understand what it means?
Live-streaming a panel from the Illini Union. http://yfrog.com/iyjikj
D.Bordwell: There's something interesting to learn or be said about nearly any film if you know how to ask the right questions.
Howie Movshovitz: Charles Burnett DISCOVERED his personal vision via Neorealists, Renoir, Sembene - absorbing not imitating them.
Panel: Do film students need to know the classics? History teaches experience, options. No need to reinvent the wheel.
Next Article: Ebertfest photoblog: Day 4 Previous Article: Notes on Ebertfest: Day 1 & 2
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