At one point, I checked the time code on Netflix and saw that the movie had over forty minutes to go. I visibly winced.
Slate: To come back to this, I have to say, I really don't like these movies like "Barbershop" and "Beauty Shop." I just don't. I think of what you were doing—yet you made these films possible, right?
Lee: Don't put that on me.
Slate: No, but you created an open field for black filmmakers.
Lee: Yeah, but it morphed into something else. But no, you can't put "Barbershop" on me.
Slate: Still, don't you find it ironic that you created the atmosphere that made these films possible, and now they're more popular than more serious movies?
Lee: I never said that those films should not be made. I just think that they shouldn't be the only type of films that are made. But I'd take "Barbershop" over "Get Rich or Die Tryin'." In "Barbershop," you're not trying to kill anybody.
This message came to me from a reader named Peter Svensland. He and a fr...
Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.
A review of the History Channel remake of the landmark mini-series, "Roots."
Separating the artist from the art isn't as easy as it sounds.