How to Be Single
Think of "How to Be Single" as a cinematic Whitman’s Sampler: There are enough pieces that work to offset the pieces that don’t.
Slate: To come back to this, I have to say, I really don't like these movies like "Barbershop" and "Beauty Shop." I just don't. I think of what you were doing—yet you made these films possible, right?
Lee: Don't put that on me.
Slate: No, but you created an open field for black filmmakers.
Lee: Yeah, but it morphed into something else. But no, you can't put "Barbershop" on me.
Slate: Still, don't you find it ironic that you created the atmosphere that made these films possible, and now they're more popular than more serious movies?
Lee: I never said that those films should not be made. I just think that they shouldn't be the only type of films that are made. But I'd take "Barbershop" over "Get Rich or Die Tryin'." In "Barbershop," you're not trying to kill anybody.
This message came to me from a reader named Peter Svensland. He and a fr...
A peculiar film, poised somewhere between satire and dream logic.
A piece on the American experience reflected through four films at the Sundance Film Festival by an Ebert Fellow.
FFC Gerardo Valero reports on his experience working as an extra on "Spectre."