In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_mljmahzhhd7luzjhrqlzsacggkk

Man of Steel

The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…

Thumb_bnmohvuoeki7s3o14ty9frtcmvn

Fill the Void

Claustrophobia isn't often considered a cinematic asset beyond tales of suspense and horror. But "Fill the Void," an award-winning Israeli drama about a naive 18-year-old…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Square_thumb_screen_shot_2013-06-19_at_10.10.44_am

Thumbnails 6/19/2013

Suicide glamour and magazine-shaming; how American textbooks dumb down Vietnam; remembering the late investigative journalist Michael Hastings; why sex on the first date is not…

Other Articles
Blog Archives
Square_thumb_beforemidnight-2013-2

Before Midnight Interviews

Katherine Tulich talks to Julie Delpy, Ethan Hawke and Richard Linklater about returning once again to the characters from "Before Sunrise" and "Before Sunset" for…

Other Articles
Far Flunger Archives
Other Articles
Channel Archives

De Palmania!

bd.jpg

Look back in Angora: An Ed Wood moment between Josh Hartnett and Scarlett Johansson in Brian de Palma's "The Black Dahlia."

In anticipation of Brian de Palma's "The Black Dahlia," which premiered at the Venice Film Festival to bi-polar reviews and opens in the US September 15, a number of sites are celebrating the modern master of the rapturous moving camera. (See De Palma a la Mod for all the latest on De Palma and the Dahlia.) Dennis Cozzalio has an excellent round-up of who's doing what at Sergio Leone and the Infield Fly Rule, and adds his own illuminating thoughts to the heady mix. (And don't forget to check out his Opening Shots submission for De Palma's "Femme Fatale" here at Scanners.)

Peet Gelderblom also has some good stuff about the "unofficial De Palma blogathon" at Lost in Negative Space. And I finally took the advice of That Little Round Headed Boy and caught up with De Palma's much-maligned "Mission to Mars," which has moments of astonishing beauty and suspense, despite being hobbled by a terrible script (original screenwriters joined by an ampersand; re-writer Graham "Speed" Yost tacked on with an "and") and one of the most lifeless performances I have ever seen from Connie Nielsen. (How could she not have been fired after the first day? She's heavier-than-leaden in almost every single moment she has on screen -- except the marvelous weightless dance sequence to [and you have to appreciate the humor] Van Halen. Other than that, like a Martian tornado she sucks.) De Palma is a terrific director of women (Margot Kidder, Sissy Spacek, Piper Laurie, Betty Buckley, Amy Irving, Carrie Snodgress, Nancy Allen, Angie Dickinson...) but Nielsen is really Not of This Earth. (TLRHB also features some informative comments about "Mission to Mars," including a link to Matt Zoller Seitz's round-up of reviews, from pans to raves.)

I've said this many times before about De Palma, but give this guy a decent screenplay and he can work wonders. Look what he can do even when he doesn't have one. So, give the guy a good script, already!

Popular Blog Posts

Now, "Voyager": in praise of the Trekkiest "Trek" of all

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...

Crying on the Outside

I cried yesterday at a retreat while listening to Michael Buble's rendition of "Smile." The tears came from out of no...

Laterally speaking: a celebration of right-to-left and left-to-right camera moves

Lateral tracking shots can get to the heart of a film more quickly and succinctly than any other technique. What are ...

Meet the new editor of RogerEbert.com: Matt Zoller Seitz

Please help me welcome the new Editor-in-chief for Rogerebert.com, Matt Zoller Seitz. What Roger and I found refresh...

Reveal Comments
comments powered by Disqus