Magic in the Moonlight
While Allen’s new picture, "Magic In The Moonlight," isn’t even close to being a disaster (for that, see, well, "Scoop"), I don’t think it’s unreasonable…
In case you hadn't noticed: Comments are working, and some good discussions have been started -- annotations to particular Opening Shots and (especially stimulating) various reactions to my diatribes against the Slate writer who bashed "The Searchers" for his own anti-intellectual, anti-"film geek" reasons that have little or nothing to do with the movie. (And will somebody please respond to Kevin's questions about the character of Debbie?) I've set it up so that the newest comments are at the
top bottom -- like the blog itself (or an e-mail thread). Let me know how that works for you.
I've got LOTS of Opening Shots contributions backed up, but not to worry: I plan to work through them for as long as it takes. Some people have written asking if it's too late to submit something. Hell, no! It will never be too late. Even if everybody else stops sending them in, I'm going to continue indefinitely. This is an inexhaustible subject; I can't imagine I'll ever run out of opening shots to think about, write about, and savor.
The first part in a four-part series on what film can teach us about the relationship between Israel and Palestine.
Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.
This message came to me from a reader named Peter Svensland. He and a fr...
An interview with Woody Allen about his new film, "Magic in the Moonlight."