In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


Ouija: Origin of Evil

By the time it gets to the Polish-speaking ghosts and the ghoulish Nazi doctor, you’re so invested in the characters that you’re willing to buy…


Jack Reacher: Never Go Back

It’s a pity that Jack Reacher: Never Go Back fails to support Cruise and his costars, all of whom are acting as if their lives…

Other Reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Channel Archives

Close Up: The movie

Words are linear. Movies not so much, even though they are encoded onto strips of celluloid or served up as streams or spirals of digital bits.

The web is not so linear, actually. Hyperlinks in all directions are more like the interconnected synapses of the human brain than any other technology or art form I can think of. But sometimes when I try to convey something about my experience of movies — filtered, as always, through reflections and contrasts between images, memories, themes, styles what I really want to do is make a movie about it. That seems like the shortest, most direct way from imagination to articulation. The movie itself (as Godard famously suggested) is the criticism, the analysis.

Here's a link to my little (six-minute) movie / dream sequence / commentary on the theme of some of my favorite close-ups from some of my favorite films. If you want to know who's who and what's what, watch the end credits (which make up about one-sixth of the movie!)


Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Personal Narratives Fuel this Year's Best Actress Race

A look at this year's competition for Best Actress.

Reveal Comments
comments powered by Disqus