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This Is Where I Leave You

The family gathering comedy is one of the more difficult genres to pull off. Good for Levy for trying something different. But next time he…

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The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Close Up: The movie

Words are linear. Movies not so much, even though they are encoded onto strips of celluloid or served up as streams or spirals of digital bits.

The web is not so linear, actually. Hyperlinks in all directions are more like the interconnected synapses of the human brain than any other technology or art form I can think of. But sometimes when I try to convey something about my experience of movies — filtered, as always, through reflections and contrasts between images, memories, themes, styles what I really want to do is make a movie about it. That seems like the shortest, most direct way from imagination to articulation. The movie itself (as Godard famously suggested) is the criticism, the analysis.

Here's a link to my little (six-minute) movie / dream sequence / commentary on the theme of some of my favorite close-ups from some of my favorite films. If you want to know who's who and what's what, watch the end credits (which make up about one-sixth of the movie!)

:http://www.rogerebert.com/scanners/close-up-the-movieessaydream

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