In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_rqokeuqb4v0abicpi0fhm1v5kmc

Child 44

Child 44 is a fiasco by its own free will.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Between a critic and a crank

Tony Kushner knows the difference. He responds to Clive James' playground insults (see How Not To Write About Film) in kind, with a scathingly funny (and totally accurate) letter to the New York Times. The Pulitzer-winning writer of "Angels in America" and co-screenwriter of "Munich" says:

In his review of Phillip Lopate's anthology "American Movie Critics" (June 4), Clive James, wanting to demonstrate to critics how to "take down" a film they don't like, pans "Munich." He accuses the film's writers of not knowing "half enough about politics." No instances of our semi-ignorance are provided; not one line of the script is cited....

I, having been taken down, will run for cover in a moment, but first I would like to respond to James's devastating analysis. I do so know more than half enough!... Since "Munich" isn't mentioned in the anthology, his attack isn't merely vague, it's utterly gratuitous. After using up an awful lot of paper and ink sharing his opinions of real film critics, James exposes himself as the sort of writer who slags the people behind the art because he can't summon the substance or wit to articulate his unhappiness with the art itself — or, I suspect, in the case of "Munich," with the politics he feels the art expresses. That's the difference between a critic and a crank.

Popular Blog Posts

"Goodbye Solo"

A review of Ramin Bahrani's Goodbye Solo from a far-flung correspondent.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Ebertfest Profile: Alice Adcock

A profile of Ebertfest attendee Alice Adcock.

The Unloved, Part 16: "The Ward"

"The Unloved" series continues with a neglected recent gem by John Carpenter.

Reveal Comments
comments powered by Disqus