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Same Kind of Different as Me

It can be hard to disagree with the heart and events of this true tale, except for when the movie reveals itself to be mighty…

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Geostorm

God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Barry Levinson on how to handle criticism

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In a reply to what he feels is a misleading (nay, delusional) review of his essay film "Poliwood" by New York Times TV critic Alessandra Stanley, Barry Levinson offers this sound advice:

To reiterate, criticism is a part of a filmmaker's journey. Any time you attempt to tackle a subject that is complicated, one is open to criticism. It comes with the territory. A WARNING: to any thin-skinned filmmaker, get out of this line of work quickly or you'll die a hemophiliac. But when one's work is used as fodder for a critic such as Ms. Stanley, then I feel I must speak up... and throw caution to the wind. [...]

The New York Times is known throughout the world as one of the leading newspapers in this country. It has excellent film criticism and book reviews. And a very strong op-ed page. Where Ms. Stanley fits into this strong lineup is questionable at best.

As a filmmaker, all you can expect is for your work to be examined for what it is....

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