Rarely has a remake felt more contractually obligated than the 2015 version of Poltergeist.
Pieter Brueghel, "Landscape with the Fall of Icarus" c. 1558.
Today, I've been writing about "The Bridge" (opening in Chicago next week), a documentary about the stories of people who jumped to their deaths from the Golden Gate Bridge in 2004.
From "The Bridge," directed by Eric Steel (2005)
I read that the director, Eric Steel (who had cameras on the bridge from dawn to dusk for the entire year) had invoked Breughel's "Landscape with the Fall of Icarus" -- and that resonated with me. Then I remembered the poem of the same name by one of my favorite poets, William Carlos Williams.
For me, as an American, a West Coaster and a cinephile, the Golden Gate Bridge has always loomed large in my consciousness. Today, as I attempt to digest this shattering film, I am moved and awed to offer these images, from Brueghel to the bridge -- visions not just of a magnificent structure or landmark, but of a place of mythic stature in the imagination.
"Landscape with the Fall of Icarus"by William Carlos Williams
According to Brueghel when Icarus fell it was spring
a farmer was ploughing his field the whole pageantry
of the year was awake tingling near
the edge of the sea concerned with itself
sweating in the sun that melted the wings' wax
unsignificantly off the coast there was
a splash quite unnoticed this was Icarus drowning
(Statistic: Most American suicides take place in the spring.)
This message came to me from a reader named Peter Svensland. He and a fr...
Having once made the statement above, I have declined all opportunities to ...
An essay on how technology has rendered us a one-handed species.
Good parables explain themselves. After you have read the story of Lazarus in the Bible, you don't need anyone to exp...