Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Who
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Asghar Farhadi ("A Separation") returns with another look at unsolvable dilemmas, an erotic thriller goes all the way, and Hirokazu Kore-eda ("Nobody Knows") tells another…
Two very different documentarians, Marcel Ophüls and Clio Barnard, premiere new work at Directors' Fortnight.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Los Angeles, CA: Sundance Institute will remember and celebrate journalist and film critic Roger Ebert by honoring him with the Vanguard Leadership Award in Memoriam,…
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dedicated to memories of Roger Ebert, for the simple reason that talking about movies is so thrilling. He did not like lists, but I love…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
1) "Let the Right One In": Sole witness to a desanguination: This creature of the night (at right, a standard poodle?) appears out of the darkness of the barren woods, like a corporeal outgrowth of the snow and the white-barked birches themselves. The dog sits, watches, and will not leave, forcing a vampire's procurer to flee in panic and frustration. One of my favorite movie-moments of the year, and one that made me laugh (aghast) the hardest, though nobody else in the nearly full theater joined me. Was it because the movie is Swedish that the crowd didn't seem to know/think it was funny? We won't even talk about the stuff with the cats...
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2) "A Christmas Tale": The old house wolf appears, in doorway/reflection, to troubled young son/grandson/nephew/cousin Paull (Emile Berling)... and no one else.
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3) "In Bruges": Ray (Colin Farrell) tries with childlike eagerness to catch the attention of Jimmy (Jordan Prentice), a "midget" he thought he had befriended, but makes eye contact with this face instead.
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4) "Wendy and Lucy": Lucy (director Kelly Reichart's dog) is a fine character actor, even when her name is in the title. She runs out of the frame in her first shot to retrieve a stick thrown by Wendy (Michelle Williams), and you know right away why their names are paired. She will be felt as keenly whether she is on the screen or absent from it.
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5) "Gran Torino": Daisy the yellow lab watches Walt Kowalski (Clint Eastwood) smoke in the tub. "Let a man enjoy himself... will ya, girl?"
SPECIAL MENTION - "The Curious Case of Benjamin Button": An elderly lady and her dog show up at an old folks' home where dogs aren't allowed. But she won't cause any trouble and she won't be around for much longer anyway...
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Asghar Farhadi ("A Separation") returns with another look at unsolvable dilemmas, an erotic thriller goes all the way...
Two very different documentarians, Marcel Ophüls and Clio Barnard, premiere new work at Directors' Fortnight.
Michał Oleszczyk falls for offbeat gay thriller "Stranger by the Lake" and gloriously eccentric essay-film "A Story o...
Barbara Scharres has a few choice words for François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ri...