Pride and Prejudice and Zombies
The small, deadpan moments in "Pride and Prejudice and Zombies" have more of an impact than the massive, noisy set pieces.
Does a dog know how it looks? It knows how another dog looks, certainly. It can tell friends from foes from strangers at a distance, aided greatly by smell. But does it place much importance on appearance? I know a smaller dog may back away from a larger one, but does that involve a mental weigh-in? I think it has more to do with the display of emotions, and I've seen big dogs back away in the face of small dogs in a ferocious frenzy. Certainly enormous dogs and tiny ones exhibit a healthy mutual sexual curiosity, even if it sometimes seems a Great Dane might inhale a Chihuahua's netherlands.
Dogs seem to identity more with familiarity and attitude than appearance. Do they prefer their own breed over another? Aren't most dogs mixed-breed? Doesn't that indicate egalitarianism, or perhaps promiscuity? In my imagination a dog resides inside itself and thinks, I am a dog. Then it encounters another animal and thinks, That is / is not a dog, too. Seeing a dog that looks like itself, does a dog think, Hey, that dog looks just like me! Does it get into value judgments, like You have your mother's ears?
I suspect that dogs don't think in those terms. Dogs are extraordinarily skilled in their sense of smell, and my dogs have had infinite patience in sniffing at the territorial markings of other dogs. When they hear another dog barking, they start to bark. If one dog in a house barks at the door, any other dogs in the house will come scrambling to the door: Five-alarm fire! But dogs don't ask themselves, Does she think she looks good with that blow-dry? or How can he see with all that hair over his eyes? or Poodles think they're so bloody chic. Their minds just don't work that way.
The dogs illustrating this entry are from a remarkable photography exhibition by Tim Flach, at Osborne Samuel Ltd., in London. His book Dogs was published in October and is selling well. I came across the gallery's web page and did a post about it. That should have been that. But I couldn't get these dogs out of my mind. Only a couple of them looked "doggy." The others looked like the result of painstaking breeding and grooming. Dog Show dogs.
I suppose show dogs, like thorougbreds, enjoy the attention. No animal is more keyed to its master's praise and criticism than a dog. A horse knows it has won a race because it ran faster than the other horses. A dog knows it has won a show, because it senses that from its master. But does the dog know why it won? It may assume it won because it was a very good doggie indeed. And it obediently walked and heeled and sat and posed and held it in as it had been trained. Does the dog think its grooming had anything to do with it? Dogs know they are groomed, but do they know why? Perhaps they think of it as an elaborate form of being petted.
In appearance, then, these dogs are the result of (1) genetics, guided by breeding, and (2) pressures from their society. Nature and nurture. They have not been allowed to evolve in an unplanned way, and men have stepped in to exploit genetics. Their society consists not of the great dog diaspora, but of dog shows. They are trained, groomed, combed, trimmed, colored and even attired by their virtual society. And all the time they are dogs, and would steal a lamb chop from the table if they thought they could get away with it.
Such thoughts circled in my mind for a few days, and eventually drifted around to the matter of mankind. We, too, are products of nature and nurture, but unlike dogs we have a highly developed consciousness of self, and place great importance on how we look. We dress and groom ourselves, try to choose a body weight, have a large variety of facial expressions, and so on -- all devoted to our competition in the vast dog show known as human society. "When I walk down the street and look at people," Gene Siskel liked to say, "it occurs to me that when they left home this morning, most of them thought they looked great."
Standards in dog shows evolve over a period of time based on what previous winners have looked like and what each era of judges seems to be favoring. So it is in the Human Show. We present ourselves to look successful and hope the judges will approve. Of course much depends on our breed. If we are Wall Street CEOs, we know that previous winners have presented like Richard Fuld. If we are hip-hop artists, we emulate the current generation of Grammy winners. If we are billionaires, we copy Bill Gates or Warren Buffet by showing ourselves above conformity. If we are young people on the make, we try to look hot. If we're nerds, we study Michael Cera.
Some years ago I became aware that most young men were wearing their jeans very low on their bodies, with the legs too long and baggy on the bottom. Thus they shuffled through life with elephant feet. This was an evolutionary disadvantage in fight-or-flight situations, but useful to showing they belonged to the herd. When I was at the University of Cape Town, I noticed a great many of the men students wore shorts, hiking socks, and sturdy shoes or boots in all seasons, even to go to a class or on a date nowhere near the slopes of Table Mountains. Some Australian men I believe wear long pants as rarely as possible.
We look at others and think, One of / not one of us. Then we make a value judgment depending on who "us" is. Some people may look with distaste at a woman with body piercings, ripped jeans, a studded belt, a streak of chartreuse in their hair and a good-sized tattoo on their shoulder. Consider that it took that woman a good deal of time and trouble, not to say money, to leave the house looking like that this morning. She must believe there's a show to be won. In her breed or category, that's what the judges are looking for this year. Other people may look at a man whose job requires him to always be dressed in a certain way, like George Clooney in "Up in the Air," and think That poor asshole. There but for the grace of God go I.
Many of us are prejudiced on the basis of personal appearance. I think that counts much more than something like race. Better a person who looks well presented than a street person, no matter what their races. Unless, of course, we're a street person, and then we sense the fraternity and acceptance that goes with the Goodwill wardrobe.
Empathy is the attribute of civilization. Those without it judge on appearance. They assume everyone is entered in the same Human Show, and they are in the lead. But no matter how a person may look, his appearance is designed by him to compete well. Inside that person, looking out, is a human being. He has been shaped, groomed and dressed according to the competition standards for his category and breed. Shakespeare understood this:
I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions; fed with the same food, hurt with the same weapons, subject to the same diseases, heal'd by the same means, warm'd and cool'd by the same winter and summer, as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, do we not revenge? If we are like you in the rest, we will resemble you in that.
Those who understand that will see their fellow beings more clearly. They will be able to associate with them, work and live with them, understand them and even identify with them. Because no matter how they look, they are like us in the rest. Of course there will always be a few who say it's all very well for Shylock, but after all I'm not a Jew. More photographs of dogs by Tim Flach can be seen at Osborne Samuel Ltd, at 23a Bruton Street, London. .
This message came to me from a reader named Peter Svensland. He and a fr...
The latest Unloved looks back at David Bowie and Julien Temple's 1986 collaboration.
A piece on the American experience reflected through four films at the Sundance Film Festival by an Ebert Fellow.
So tired of slave movies; Abuses in NYC ticketing industry; Rosenbaum on "La belle noiseuse"; Hollywood's Westmore fa...