Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
She is the small, determined center of Benh Zeitlin's "Beasts of the Southern Wild," which opens July 6 and seems destined for a Best Picture nomination from the Academy. Quvenzhané Wallis was six when she filmed the role. She and all of the other actors were non-professionals. Incredible.
I interviewed Quvenzhané, her co-star Dwight Henry and her director Benh Zeitlin during their Chicago visit. This video was edited by Paul Meekin. My print interview with Quvenzhané follows.
If there is one 2012 movie that seems to have a lock on a best picture nomination, it is "Beasts of the Southern Wild." And if there is a single reason its early viewers have loved it so much, it is an 8-year-old girl named Quvenzhané Wallis, who was six when she filmed it. Here is a case of a great role finding the perfect actress to play it.
"My computer has trouble pronouncing names," I told Quvenzhané not long ago in my living room.
"That's okay," she said. We worked together on a phonetic spelling: kwa van je nay. A beautiful name for this composed young woman, who deserves her own Oscar nomination, and whose nickname is Nazie.
The film is the feature debut of Benh Zeitlin, whose first short subject was made in the aftermath of Hurricane Katrina. It's set in The Bathtub, an isolated island area offshore from New Orleans, where the poorest of the poor scramble to survive. Shanties perch on stilts in the delta marshlands. A boat is made from the bed of a pickup truck. The world of prosperity could be on a distant planet. We focus on a girl named Hushpuppy, whose mother has disappeared, whose father is loving but sometimes harsh, and whose determination is indomitable. The feeling is post-apocalyptic, and there are rumors of another storm on the way, one that will flood the islands and their people.
"Beasts" opens on July 6, but is already famous in film circles. At Sundance 2012, it won the Grand Jury Prize. At Cannes, it won the Camera d'Or as best first film. At both, the small girl from Louisiana won hearts with her spunky, straightforward manner in the face of calamity.
"As an actress," I asked Quvenzhané, "what was the hardest thing for you to do?"
"Doing all the lines because they are very hard and you have to remember all the lines --and sometimes they have long lines, so you've just gotta keep catching up." "How much of Hushpuppy is made up, and how much of her is like you?"
"She has animals and she likes to explore the world and have adventures that she can always complete. But she's not really me because she doesn't wear her pants pretty much and she has more animals, likes to explore more and she can complete it anytime she wants to."
It comes out in a rush of enthusiasm. She's sitting next to her mother, Qulyndreia, and across from (left and right above) Zeitlin and Dwight Henry, a New Orleans baker who plays her father, Wink. But she doesn't look to them for guidance. This isn't her first interview.
"Tell me about your audition," I said. "They were looking for someone older. What do you think you did that impressed them?"
"My audition turned out to be at the library and my Mom got a call from one of her friends and it was for a six to nine year old. So my Mom said I couldn't go 'cause I was only five. But we just went and we act like we're having nothin' to do; we had done nothin' wrong. And we just sneaked in because I was like one year younger so we just sneaked in and we walked out like we ain't done nothin'.
"So they called back and they said they were looking for Nazie. My Mom says 'Oh, you must be looking for Quvenzhané.' They were like, no, we must have called the wrong person and they almost hung up but my Mom caught them. And she goes, 'she must have told you Nazie,' and they were like, 'yes, that's who we're looking for.' And that's Quvenzhané. And they only have found me because the character who is Hushpuppy, she does what is right and she is fearless and that's what I did at the audition."
Quvenzhané is in third grade at Honduras Elementary School in Houma, LA, and has three siblings, Qunyquekya, Venjie Jr., and Vejon.
"What did your family think about the movie?"
"My siblings thought that it was a good thing to do and my Dad thought, 'just let her go and see if she gets the part. She's young right now so I don't know if there is a talent that she thinks she can do'."
"Did anything turn out different that what you imagined while you were filming?" "Not really. Just that I missed a lot of school pretty much but it helps because they gave me a tutor so there was nothin' to worry about. "
"Was it ever dangerous?" "Not really. It was all safe. All the fire things and all the fireworks, they wore safety things 'cause they have like safety fireworks..."
"You went to the Cannes Film Festival?" " Yes. It was awesome because we had a lot of standing ovations." "What was your impression of France?"
She sighed. "I really didn't know that much French, so I was just like stay out of sight and wouldn't really talk that much. All I know is 'bonjour,' 'merci beaucoup' and stuff like that."
In the film, Quvenzhané has an ear-splitting scream that completely expresses her frustration at the difficult world she lives in, and after her father tells her that her mother "swam away," she screams for her mother to return. No one will ever forget the power of that scream.
"I'm mostly a girl so I really do these things but I scream and that came to me and I've been doing that since I was a little girl," she said, "and I would always scream for my brother so the other team can lose. That's not very girlie but it's something that I know how to do and always did."
"Did they know about that when they put you in the movie?"
"No. Well, the first day, the audition, I didn't tell them at all. So when I got the audition and I first got to the set, I did it. So they didn't even know about it. Right in the middle or in the beginning or something. They didn't even know about it; they were kinda surprised."
"What did they say?"
"They said, 'WOW, YOU ARE VERY LOUD!' And I was just like, 'I know, that's why I didn't do it.' And when they came to the scene where I had to burp, I had to secretly act like I drank some water and I burped and then they asked me, 'how did you burp?' And I said, 'cause I know how to do it on command,' and they said, 'do it,' so you know? I burped and they was like, 'WOW, you should have told us before.' So it was really funny to see them react to what I did and they didn't even know about it."
"They learned more about you every day."
"Thank you. Anybody calls for Quvenzhané, I know they're calling me, cause that's one of a kind."
Having once made the statement above, I have declined all opportunities to ...
An FFC writes about the use of Giuseppe Verdi's "Dies Irae" in "Mad Max: Fury Road".
An essay on how technology has rendered us a one-handed species.
This message came to me from a reader named Peter Svensland. He and a fr...