Nothing here deserves to be characterized as morbid. Indeed, quite the opposite.
Women all over the country are going to see "Thelma and Louise" with a rare enthusiasm, despite Hollywood's conventional wisdom that men make most of the moviegoing decisions. To understand how they're connecting with the movie, look at an afternoon screening in a theater like the 900 N. Michigan complex. The largely female crowd isn't made up of teenagers, but more mature generations - married women, professionals, older women, visitors to the city. They love this movie. They cheer it, they get teary-eyed, and they bring their friends to see it.
CANNES, France -- The French New Wave was a rebirth of French films in the early 1960s, and the German new wave represented the same process in Germany in the 1970s. Now black American filmmakers are developing a new stylistic and personal vision that reached critical mass at this year's Cannes Film Festival. In May of 1991, here in the incongruous setting of the French Riviera, far from the urban settings of most of their films, the black new wave came of age.
Fifty years ago this year, Orson Welles had made what would eventually become known as the greatest movie of all time. But he was having trouble getting it released.
An ape uses to learn a bone as a weapon, and this tool, flung into the air, transforms itself into a space ship--the tool that will free us from the bondage of this planet. And then the spaceship takes man on a voyage into the interior of what may be the mind of another species.
Ebert's Best Film Lists1967 - present
If a society does not allow its women to speak to men other than their husbands, or own property, or vote, or drive cars, or appear in public unless covered in traditional dress from head to toe, or take trips without written permission, or have any rights to their children, and if that society nods approvingly when a husband beats his wife when she disobeys these rules--is that society sexist? Or are we racist to think so?
Ebert's Best Film Lists: 1967-Present
Alphabet soup, or a critic's Q & A on the MPAA's new NC-17 rating:
Every year during the first week on June, it has been my custom to
When the lights go down at the beginning of "Gremlins 2: The New