A soggy, slushy mess.
"Interactive" is the kind of word I like to interact with by hitting the "delete" key on my computer. I'm asked at least twice a week about the future of "interactive movies," and I am sorry to disappoint, but the answer is: Interactive movies have no future. They're already over with, except as a buzzword often found in the same sentence with terms like "infobahn" and "information revolution."
Okay, so you skip the popcorn the next time you go to the movies. Can you dine at the candy counter?
Filmgoers should be cheered by the news that an Australian film named "Sirens" is doing strong business at the nation's box offices. It is loosely inspired by the life and times of a colorful painter named Norman Lindsay, who shocked his country in the 1930s with an unconventional lifestyle that included large numbers of beautiful women who were his models, muses and, occasionally, lovers.
One of the first things I remember learning about the movies was that they were a Possible Occasion of Sin. That was in Catholic grade school, where we were advised to avoid such Occasions by carefully observing the Legion of Decency ratings printed every week in Our Sunday Visitor.
People have been asking me if I've seen "The Critic," ABC's new animated series. Maybe they think I can identify with the hero, a critic named Jay Sherman who reviews movies on television and has certain points of similarity with Gene Siskel and me: He's bald, and he has a Pulitzer.
This is a good idea. For six weeks in 19 cities, including Chicago and Evanston, new independent and foreign films will be showcased in two-week runs. You can buy single tickets, or join a club that allows you to attend a preview followed by a discussion with local film critics. And there is a web site for additional discussion. http://movies.yahoo.com/sgfilmseries/index.html
LOS ANGELES - Wil Wheaton, a child actor who is 10 years old, sat on the edge of his chair and stirred his Coke with a straw. Susan Sarandon, an adult actor who had gotten up in the middle of the night with some kind of stomach flu, regarded him with a mixture of affection and nausea.
Ebert's Best Film Lists 1967 - present
Place to sit: Sit twice as far back as the screen is wide. Try to choose the side of the theater farthest from the main entrance door; more people will choose the other side, lessening your chance of having someone sit in front of you.
Jane Campion's wonderous film "The Piano" arrived at this year's Cannes Film Festival so already wreathed in glory that another director, Abel Ferrara, groused: "They might as well have met her at the airport and given her the prize, and let it go at that."