It’s exciting to see Shyamalan on such confident footing once more, all these years later.
"The Wild Parrots of Telegraph Hill," a documentary about Bittner and his birds by Judy Irving, is making its way around the country as an underground phenomenon, fueled by fans who urge their friends to see it. It is not the film you think it is going to be. You walk in expecting some kind of North Beach weirdo and his wild-eyed parrot theories, and you walk out still feeling a little melancholy over the plight of Connor, the only blue-crowned conure in a flock of red-crowned conures.
Connor had a mate, Bittner tells us, but the mate died. Now Connor hangs around with the other parrots but seems lonely and depressed, a blue-crowned widower who can sometimes get nasty with the other birds, but comes to the defense of weak or sick birds when the flock picks on them. Picasso and Sophie, both red-crowned parrots, are a couple until Picasso disappears; Bittner begins to hope that maybe Connor and Sophie will start to date and produce some purple-headed babies.
Nobody knows how the parrots, all born in the wild and imported from South America, escaped captivity, found each other and started their flock. Irving has several North Beach residents recite the usual urban legends (they were released by an eccentric old lady, a bird truck overturned, etc). No matter. They live and thrive.
You would think it might get too cold in the winter for these tropical birds, but no: They can withstand cold fairly well, and the big problem for them is getting enough to eat. Indeed, flocks of wild parrots and parakeets exist in colder climates; the famous colony of parakeets in Chicago's Hyde Park was evicted from home of their nests only a week ago, after 15 or 20 years, because they were interfering with utility lines. Oddly, most bird-lovers seem to resent trespassers such as wild parrots, on the grounds that they are outside their native range. That they are here through no fault of their own, that they survive and thrive and are intelligent and beautiful birds, is enough for Mark Bittner, and by the end of the film that's enough for us, too.