In Memoriam 1942 – 2013 “Roger Ebert loved movies.”



The multiple twists, double-crosses and leaps in logic are more likely to prompt giggles than gasps, despite the impressive production values and the earnest efforts…


Oasis: Supersonic

While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…

Other Reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives


The Endless Summer


The peculiar charm of "The Endless Summer" is something I haven't got quite worked out in my mind yet. This is all the more strange because here, at last, is a completely uncomplicated film, fresh and natural, designed only to please. It does. Why?


Part of the answer may be in the unconventional approach of the filmmaker, Bruce Brown. He packed a 16-mm camera and assorted telephoto lenses into a suitcase and set off around the world one morning, in the company of two surfers. Operating on a tiny budget ($50,000 for a 90-minute theatrical film is unheard of), they flew to the West Coast of Africa, sampled the beaches in Senegal and Ghana and then hopped down to Cape Town.

After surfing both the Indian and Atlantic Ocean beaches of the Cape Peninsula, they hitchhiked 1,000 miles up the coast to Durban along the famous Garden Route, finding, at Cape St. Francis, the "perfect wave" -- a four-foot curl that gave rides of 15 minutes and came in so steadily it "looked like it was made by a machine."

Other stops were in Australia, New Zealand, Tahiti and Hawaii. The last provided some heart-stopping footage of the "Pipeline," an enormous wave of great force rolling in over a sharp coral bottom.

Brown narrates these adventures with the nonchalance and overstatement of a home movie enthusiast. "The odds against a wave like this are 20,000,000 to 1," he says in awe after discovering the perfect wave. Whose odds? He uses the word "unique" as if he were an antique salesman. His attitude toward the nations he travels through is essentially that of a wide-eyed fraternity boy. "When those natives came paddling out," he gulps, "we didn't know whether they were coming for surfing -- or dinner."

The funny thing is this sophomoric exaggeration and casual enthusiasm is just what the film needs. When you're on the beach and the waves are right, who can be bothered with figuring out the correct odds? And what difference does it make, anyway?

If the film itself offers exactly what it promises -- 91 minutes of wish fulfillment -- the manner of its filming must offer the same thing for professional filmmakers. Shunning the tons of equipment ordinarily taken along on location, Brown used only what he could carry. The beautiful photography he brought home almost makes you wonder if Hollywood hasn't been trying too hard.


Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

No Longer an Inconceivable Future: The Vision of Alfonso Cuarón's "Children of Men"

FFC Seongyong Cho on watching 2006's dystopian thriller "Children of Men" ten years later.

Hooray for Hillary: Commander-in-Chief

An article about Hillary Clinton's historic nomination as the first female presidential candidate and the most qualif...

How 2016 Became the Year of Adventurous, Original Horror Films

2016 has been a very good year for horror movies.

Reveal Comments
comments powered by Disqus