In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_zero_theorem_ver4

The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

Thumb_xmubcnexkydxsr4bysssjqtxpos

Tusk

It's not surprising that Smith's characterizations and dialogue lack subtlety given the type of broad comedy that Smith has practically made his brand. But somehow,…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

Six Days, Seven Nights

  |  

Whenever pirates turn up in a romance set more recently than 1843, you figure the filmmakers ran out of ideas. "Six Days, Seven Nights'' illustrates that principle. It's the kind of movie that provides diversion for the idle channel-surfer but isn't worth a trip to the theater. A lot of it seems cobbled together out of spare parts.

Harrison Ford and Anne Heche co-star, in an Opposites Attract formula that strands them on a South Pacific island. He once owned his own business, but simplified his life by moving to paradise as a charter pilot. She's a high-powered New York magazine editor (the third this month; Tina Brown should collect royalties). Heche and her would-be fiance (David Schwimmer) arrive on the tropical isle, he proposes marriage, she accepts--and then hires Ford to fly her over to Tahiti for an emergency photo shoot.

When their plane crashes on an uninhabited island in a storm, Ford and Heche are thrown together in a fight for survival. (I'd like to know what Ford's thoughts were in the scene where he dresses up in palm fronds to hunt birds.) Back on the resort island, Ford's friendly masseuse, an island seductress played by Jacqueline Obradors, and Schwimmer mourn their missing lovers and seek consolation, or something, in each other's arms.

The screenplay by Michael Browning has little interest in the characters--certainly not enough to provide them with a movie's worth of conversation. It's devised along standard formula lines, and so desperate for a crisis that pirates conveniently materialize on two occasions simply to give the movie something to be about. If you want to see a movie that knows what to do with a man, a woman and an island, see John Huston's "Heaven Knows, Mr. Allison,'' in which Robert Mitchum and Deborah Kerr create atmosphere where Ford and Heche create only weather.

Not that they aren't pleasant enough to watch. Ford has a nice early drunk scene where he avoids the usual cliches and gives us a man who gets thoughtful and analytical in a sloshed sort of way. Heche is plucky and has unforced charm, and does a great job of looking searchingly into Ford's eyes while he talks to her. Meanwhile, Schwimmer and Obradors provide counterpoint, mirroring in low comedy what the stars are doing at a more elevated level.

Harrison Ford has an easy appeal in movies like this and never pushes too hard. Anne Heche plays a nice duet with him. But their adventures on the island are like the greatest hits from other movies ("Butch Cassidy and the Sundance Kid,'' "The Flight of the Phoenix'') and when they have a couple of well-written dialogue scenes toward the end, you wonder why two intelligent people like these need pirates in their movie.

Popular Blog Posts

Now, "Voyager": in praise of the Trekkiest "Trek" of all

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Scorsese Receives Golden Thumb at TIFF Ebert Tribute

A photo gallery offering snapshots from The Ebert Dinner at the 2014 Toronto International Film Festival.

The Unloved, Part Ten: "The Village"

Part ten in Scout Tafoya's The Unloved series tackles "The Village."

Reveal Comments
comments powered by Disqus