The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
In preparing to write this review of "Naked Gun 33 1/3: The Final Insult," I went back into the yellowing archives and read my reviews of the first two "Naked Gun" movies. It was an unsettling experience. I found I was repeating myself.
From my review of "The Naked Gun" (1988): "You laugh, and then you laugh at yourself for laughing. Some of the jokes are incredibly stupid." From my review "The Naked Gun 2 1/2: The Smell Of Fear" (1991): "The dialogue is dumb. Really dumb. So dumb you laugh twice, once because of how stupid it is, and the second time because you fell for it." In both reviews, I also fondly recalled the best joke from "Top Secret!" (1984) when the spy in the alley desperately begs that the letter be mailed by midnight, and then we see that it's addressed to the Publishers Clearing House sweepstakes.
What was going on here? Were two great minds (mine) running in the same paths? Was I plagiarizing myself? There is a clue, I think, in the opening words of the second review: "What can usefully be said about this movie, other than the essential information that I laughed?" The answer, obviously, is "not much," and so by recycling what few insights I had, I was able to spin out three or four paragraphs fairly painlessly. Careful readers will notice that I have just done it again.
"The Naked Gun 33 1/3" once again stars the durable Leslie Nielsen as Lt. Frank Drebin, who, as the movie opens, is retiring from the Police Squad in order to spend more time with his new bride (Priscilla Presley). He's experiencing domestic difficulties: She tells a marriage counselor he doesn't want children, although as he points out, "Honey, you know how much I wanted to adopt that 18-year-old Korean girl." Retirement is of course not going to be possible for Drebin, because of a threat from a terrorist named Rocco (Fred Ward), who plans to blow up the Academy Awards. Rocco's girlfriend, Tanya, is played by Anna Nicole Smith, the pneumatic Playmate of the Year whose dresses display her bosom in such a way that if anything falls off her fork she knows where to look for it.