In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_zqamxwv5mxkk6w0xulw7pwsteof

Keanu

Keanu is fun, and even sometimes outright hilarious, but it doesn’t live up to the skills of its central performers.

Thumb_large_duksgz4wurypn9yyqplujgsjfrn

Ratchet & Clank

At some point, the movie has to rely on the things at which it previously poked fun.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

Maid to Order

  |  

"Maid to Order" is the sort of kindhearted social comedy they might have made in the '30s, showing what life is like on the other side of the tracks. It even uses a gimmick that hasn't been seen for a few decades, not in movies for grown-ups, anyway: a fairy godmother, who waves her magic wand and turns a spoiled rich brat into an unemployed and starving teenage kid who has a few lessons to learn.

The brat is played by Ally Sheedy as the kind of self-centered ego-burger who tells lies to get money out of her old man and never stops to think that she's letting him down. She has a lot of wishes, and he fulfills most of them, but one day she makes the wrong wish and her fairy godmother fills it all too well.

She comes to on a Los Angeles street, still wearing an expensive party dress. She's not sure what happened. She goes to all the usual places and nobody recognizes her. At home, the maid turns her away and her father walks right past her without a glimmer of recognition. She's on the streets and needs a job. She finally gets one as the maid of a rock 'n' roll promoter and his wife.

This couple, played by Valerie Perrine and the late Dick Shawn, are the highlight of the movie. They're the kind of people Mel Brooks was thinking about when he spoke of "rising below vulgarity." They're simpleminded and silly, ridiculously in love with material possessions and even more in love with each other. And just as well: There's probably no one else in the world who would find them compatible.

In the kitchen, Sheedy sweats and complains and learns a few of the ropes from the black cook and the Latino maid. They don't know what to make of her but they take pity, and there are some moments of heartfelt confession when Sheedy realizes she has been a bitch all of her life.

You can just about phone in the script for the rest of the picture, especially after the fairy godmother (Beverly D'Angelo) and Sheedy's father (Tom Skeritt) start dating. But then predictability is supposed to be one of the joys of this kind of movie.

Unfortunately, I found it too easy to anticipate most of the big moments and too hard to believe that Sheedy was really a spoiled, mean-spirited rich bitch. She simply exudes too much good feeling. To paraphrase a famous statement by Jack Warner: Beverly D'Angelo for rich bitch, and Ally Sheedy for fairy godmother.

Popular Blog Posts

A Deeper Look into Sam Mendes' "Spectre"

FFC Gerardo Valero reexamines the 2015 James Bond film "Spectre" after the dust has settled.

427: Ten years without Jen, twenty-six with

Reflections on a marriage, and what came after.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

"The Hateful Eight" vs. "Pulp Fiction": The Devolution of Quentin Tarantino

FFC Gerardo Valero discusses the devolution of Quentin Tarantino by comparing The Hateful Eight to Pulp Fiction.

Reveal Comments
comments powered by Disqus