In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_men_women_and_children

Men, Women & Children

A potentially interesting premise is handled so badly that what might have been a provocative drama quickly and irrevocably devolves into the technological equivalent of…

Thumb_5kljgdiaf9qbg0wqbxhfsoemmrz

Time Is Illmatic

An excellent documentary that focuses more on why the Illmatic album came to be than how successful it became. Prepare to be schooled in many…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

Inspector Clouseau

  |  

"There is a time to laugh, and a time not to laugh," Inspector Clouseau solemnly intones, "and this is not one of those times." In a weirdly appropriate way, he's right, and "Inspector Clouseau" is one of those movies. Flashes of really good humor, like that one, are marooned in long stretches of small cheer.

Clouseau is Alan Arkin this time, instead of Peter Sellers, and it's hard to say whether we gain or lose. Arkin flounders a little in the stiff French accent he inherited from Sellers. But in his movements and timing, he's Sellers' equal.

Unhappily, Arkin has been given a script not quite up to the two Sellers-Clouseau films, "The Pink Panther" (1964) and "A Shot in the Dark." And his director, Bud Yorkin, is good but not on the level with Inspector Clouseau's creator, Blake Edwards. In movies of this kind, however, it's hard to say how much the script and direction count. Both Sellers and Arkin are accomplished at improvisation, and a lot of their movies must be written in the act of shooting.

Arkin provides some funny scenes, including an interview with the superintendent of Scotland Yard, which largely consists of the two men changing their seats and shifting pictures on the desk. There is also an attempted seduction by the superintendent's Scottish wife, whose desperation is so keen that she grabs the unfortunate Clouseau's ankle as he tries to escape.

These good scenes are the exception and not the rule, however. For most of the time, events move pretty slowly, and the camera lingers on Arkin, waiting for moments of inspiration that never come.

A footnote. Movie buffs who collect inside jokes are advised to watch closely during Clouseau's graveyard scene. One of the headstones bears the name of Norman Lear, producer of Yorkin's "Divorce American Style." There are doubtless other interesting folks inhabiting the cemetery, but I wasn't quick enough to spot them.

Popular Blog Posts

The Unloved, Part Ten: "The Village"

Part ten in Scout Tafoya's The Unloved series tackles "The Village."

Why my video essay about "All that Jazz" is not on the Criterion blu-ray

Bob Fosse's masterpiece "All That Jazz" jumps back and forth through the past and the present, and through memory and...

Tonight is What It Means To Be Young: "Streets of Fire" at 30

An appreciation of "Streets of Fire" on its 30th anniversary.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Reveal Comments
comments powered by Disqus