Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
"One wrong turn deserves another," say the ads for "Changing Lanes." Yes, both of the movie's dueling hotheads are in the wrong--but they are also both in the right. The story involves two flawed men, both prey to anger, who get involved in a fender-bender that brings out all of their worst qualities. And their best. This is not a dumb formula film about revenge. It doesn't use rubber-stamp lines like "it's payback time." It is about adults who have minds as well as emotions, and can express themselves with uncommon clarity. And it's not just about the quarrel between these two men, but about the ways they have been living their lives.
The story begins with two men who need to be in court on time. A lawyer, Gavin Banek (Ben Affleck), needs to file a signed form proving that an elderly millionaire turned over control of his foundation to Banek's law firm. Doyle Gipson (Samuel L. Jackson) needs to show that he has loan approval to buy a house for his family; he hopes that will convince his fed-up wife to stay in New York and not move with the kids to Oregon. Banek and Gipson get into a fender bender. It's not really anybody's fault.
Of course they are polite when it happens: "You hurt?" Nobody is. Banek, who is rich and has been taught that money is a solution to human needs, doesn't want to take time to exchange insurance cards and file a report. He hands Gipson a signed blank check. Gipson, who wants to handle this the right way, doesn't want a check. Banek gets in his car and drives away, shouting, "Better luck next time!" over his shoulder, and leaving Gipson stranded in the middle of the expressway with a flat tire. Gipson gets to court 20 minutes late. The case has already been settled. In his absence, he has lost. The judge isn't interested in his story. Banek gets to court in time, but discovers that he is missing the crucial file folder with the old man's signature. Who has it? Gipson.
At this point, in a film less intelligent and ambitious, the vile Banek would pull strings to make life miserable for the blameless Gipson. But "Changing Lanes" doesn't settle for the formula. Gipson responds to Banek's rudeness by faxing a page from the crucial file to Banek with Better luck next time! scrawled on it.