This film could have been titled “There Will Be Beef.”
A friend of mine went to see “Can She Bake a Cherry Pie?” and said he couldn't believe the scene where Karen Black stands on a Broadway sidewalk in New York and conducts a manic monologue with the guy she's dating, and the people in the movie line don't even look at her. I can believe it. I have spent enough time on Upper Broadway to believe that the best way to get people to ignore you is to conduct a loud monologue.
The monologue is essentially about an all-pervasive feeling of panic, accompanied by premonitions of impending doom and an uncertain standard of living. In other words, the basic conversational topics for New Yorkers. It comes about halfway into a rambling, goofy movie about two rambling, goofy people who fall into each other's lives and flail about there for awhile.
The woman, played by Karen Black, is splitting up with her husband. This inspires the usual feelings of insecurity. The man, played by Michael Emil, is one of those weathered, gentle, kind men who can talk on any subject, listen attentively, and, in general, be so pleasant that he drives you mad. They meet in a cafe, start to talk, and drift into the kind of affair where one partner or the other is always having to keep their eyes shut and imagine stuff. You know these affairs are about over when both partners keep their eyes shut.
The Emil character has a lot of theories. His most original is that if he takes his pulse before, during and after acts of sexual intercourse, he will be able to discover things about himself that he might otherwise never learn. He has had trouble finding women who share his sense of scientific curiosity. One of the things he finds out about himself in this movie is that he is less attractive while strapped to a pulse meter.
This message came to me from a reader named Peter Svensland. He and a fr...
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