In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_split_ver3

Split

It’s exciting to see Shyamalan on such confident footing once more, all these years later.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Festivals & Awards Archives
Other Articles
Blog Archives
Other Articles
Channel Archives

Reviews

Bird with Crystal Plumage

  |  

"The Bird with the Crystal Plumage" is billed as a thriller, and it's a pretty good one. But its scares are on a much more basic level than in, say, a thriller by Hitchcock. It works mostly by exploiting our fear of the dark.

Advertisement

We keep following the hero into dark rooms, dark alleys, dark parks, dark corridors and dark basements. And that makes us very uneasy. I looked around the theater and found people unconsciously leaning forward in their seats and sort of squinting, as if they could vicariously spot any danger to the hero. That's what thrillers are all about, of course, and that's why this one works.

"Bird" is about an American who stumbles into a police search for a maniac murderer. Like the typical Hitchcock innocent bystander, he is first suspected of being guilty, and then enmeshed in a deadly relationship with the killer. The killer wears black gloves and a black cape and black slouch hat, and looks like The Shadow. And he leads the hero on an investigation that turns up all sorts of interesting characters, including an artist who eats cats, a pimp who has to add "so long" at the end of every sentence to keep from stuttering, and an association of retired pugilists.

Every so often someone gets killed, but actual violence is never what a thriller is really about. Thrillers employ anticipation, fear and a feeling of impotence; they work best when we're afraid for the hero or his girl friend, and can't help them, and they can't help themselves.

Advertisement

One of the most effective scenes In "Bird," for example, comes when the hero's girl is alone in their apartment and the killer starts hacking away at the door. The lights are out (again) and the phone is dead, and the girl collapses into hysteria and crawls around on the floor. And we desperately want her to pull herself together and do something. But she doesn't. And the killer keeps hacking away.

Popular Blog Posts

Films to Get Us Through The Trump Presidency

Chaz Ebert highlights films with the potential to get us through the confusing political times of the Trump presidenc...

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Netflix's "A Series of Unfortunate Events" an Unfunny Parody of Sadness

A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.

The Audacious "Something Wild" Comes to Criterion Blu-ray

One of the most audacious American films from the 1960s is now available via the Criterion Collection.

Reveal Comments
comments powered by Disqus