The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
The first five or 10 minutes of "Airplane II -- The Sequel" are genuinely funny -- so funny I thought maybe this movie was going to work. That turned out to be a premature hope. The new inspirations quickly run out, and "Airplane II" turns into a retread, plundering the same situations and characters that made the original "Airplane" so funny.
Too bad, but I can't say I wasn't warned. Three weeks ago, the nation's film critics received letters from a Los Angeles public relations agency, advising us that their clients David Zucker, Jim Abrahams and Jerry Zucker, the makers of the original "Airplane," had no connection with the sequel.
That made sense, since the original "Airplane" was such a berserk, manic celebration of every possible zany idea involving airplanes, that how could they have enough material left over for a second movie? Still, there's always the possibility that new talent could come along with new ideas for a sequel, and that was what I was hoping for with "Airplane II."
It doesn't work out that way. After the movie's opening burst of comic inspiration, it settles into a pattern, recycling "Airplane" and even repeating some of the jokes (like the one involving Peter Graves as the licentious, perverted pilot).