The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
"A Love Affair of Sorts" answers the question of whether you can make a feature film with a Flip camera and leaves open the question of whether you can make a good one. It's a shaky-cam meander through an unconvincing relationship, with detours considering the process of making the film. At 91 minutes, it seems very long.
The stars are David Guy Levy, the director, and Lili Bordan. They share writing credits, although much of the film seems unwritten. He plays "David Guy" and she plays "Enci," so it's not a documentary, but I imagine these characters are not a million miles apart from the actors in real life. He is a pudgy geek, likable and low key, with an almost hostile taste in T-shirts. She is an attractive Hungarian-American. They live in places their characters don't seem able to afford.
They meet when he Flipcams her shoplifting. He persuades her to take another Flip so they can collaborate on a film. It's a good question whether he intends this as a project or a pickup technique. She agrees, and the film is edited from their separate footage. There is much talk about where the camera is, who is on cam, what they film when apart, and so on.
There is also the snaky "love affair of sorts." She kinda likes David, but we meet Boris (Ivan Kamaras), the testosterone engine she's sleeping with. A woman like her should have better taste than to date a man who wears a gigantic watch on one arm and a studded wristband on the other. The movie's dramatic highlight is when she discovers he left the camera pointed at the bed while they were preparing to make love. Yes, but after all, it's her camera.
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