Men, Women & Children
A potentially interesting premise is handled so badly that what might have been a provocative drama quickly and irrevocably devolves into the technological equivalent of…
The latest from prolific independent film director Joe Swanberg ("Hannah Takes the Stairs," "Uncle Kent") is a meandering, theoretical exercise about a crime scene photographer who stages grotesque art photos of women that make them look like murder victims. The movie clearly has something to say, but what?
This action thriller about two former soldiers (Orlando Jones and Tom Everett Scott) teaming up to battle a wraithlike drug dealer (Jean-Claude Van Damme) is a mostly serviceable action film, mainly worth seeing for its villainous star turn.
Michael Mirasol chooses his favorite piece of Roger's writing.
The Sundance premiere of the Roger Ebert documentary "Life Itself" was a cathartic experience for filmmakers, subjects and viewers alike.
Matt Zoller Seitz interviews Steve James, director of "Life Itself," a documentary adapting Roger Ebert's memoir.
If the gladiator-women-in-a-dungeon thriller "Raze" had come out in 1975, Quentin Tarantino would never stop talking about it.
Less a nuanced documentary than a cry of rage, this nonfiction film about the $50 million "divorce industry" will make an ideal gift for anyone who's recently been through an expensive split-up.
An interview with New Zealand stuntwoman Zoë Bell, best known for hanging on the hood of Kurt Russell's car in "Death Proof," now the star of her own action vehicle, "Raze"
Actor-filmmaker Takeshi Kitano's sequel to "Outrage" goes "Beyond" the original's violence. Unfortunately, early hints that the film will be an exceptionally bloody workplace satire don't pan out; its a fairly standard cross-doublecross gangster drama that aspires to be a Japanese "The Godfather, Part II" but suffers from a jumbled and perfunctory second half.
Directed by James Franco and Travis Mathews, "Int. Leather Bar" is a pseudo-documentary imagining the 40 minutes that the MPAA made director William Friedkin cut from his 1980 thriller "Cruising."