Robert Yeoman, the cinematographer on all of Wes Anderson's features, talks about the example of the great Gordon Willis, who died this weekend at 82.
RogerEbert.com editor-in-chief Matt Zoller Seitz will cowrite an anthology covering the most significant TV shows, in collaboration with his old Star-Ledger colleague Alan Sepinwall, author of "The Revolution was Televised."
This inept comedy about a stoner lapsing into apocalyptic reveries on the day of his wedding is a couple of notches above a home movie.
It's less interested in a giant monster's destructive progress than in what it might feel like to be a tiny human watching it close up, or far away, or on TV.
A tribute to Swiss surrealist H.R. Giger, designer of the titular creature of the "Alien" series.
Atom Egoyan's retelling of the true-life story of the West Memphis child murders feels like a respectful, intelligent afterthought.
Why aren't superhero movies more special?
Scout Tafoya's latest edition of "The Unloved" makes the case for William Friedkin's "Sorcerer," a 1977 box office bomb that is already coming in for critical re-evaluation.
Some useful advice to young critics.
RogerEbert.com editor-in-chief Matt Zoller Seitz announces his next director book, about Oliver Stone.