In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_zero_theorem_ver4

The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

Thumb_xmubcnexkydxsr4bysssjqtxpos

Tusk

It's not surprising that Smith's characterizations and dialogue lack subtlety given the type of broad comedy that Smith has practically made his brand. But somehow,…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Channel Archives

The Grand Seduction

Primary_grandseduction-2014-1

Contrived and formulaic but also sweet and brilliantly acted, "The Grand Seduction" is a comedy in the tradition of "The Full Monty" and "Billy Elliott," about a dying Newfoundland fishing town hatching in a complex deception to lure a petroleum plant.

Continue reading →

Maleficent

Primary_maleficent-2014-1

This revision of "Sleeping Beauty" is clumsily directed, and the effects and backdrops are CGI soup, but there are also images of primordial power, and Angelina Jolie is haunting.

Continue reading →