"The Congress" is a roll call of the orgiastic pleasures and bountiful comforts that art provides, and, a reminder of what waits for us when…
The sequel to "21 Jump Street" is post-entertainment entertainment. The joke's on everyone.
Tom Cruise saves the world again, but it takes a tremendous amount of effort and many, many lives to do it.
Let's make a game of it.
Scout Tafoya's series on critically reviled but substantive movies continues with Peter Bogdanovich's 1975 musical "At Long Last Love."
Contrived and formulaic but also sweet and brilliantly acted, "The Grand Seduction" is a comedy in the tradition of "The Full Monty" and "Billy Elliott," about a dying Newfoundland fishing town hatching in a complex deception to lure a petroleum plant.
This revision of "Sleeping Beauty" is clumsily directed, and the effects and backdrops are CGI soup, but there are also images of primordial power, and Angelina Jolie is haunting.
In honor of the twentieth anniversary of "Pulp Fiction" premiering at the Cannes Film Festival, here's a video essay about Quentin Tarantino's cool characters, and how they mythologize themselves.
Richard Linklater discusses the release of Bernie Tiede and the production of "Boyhood."
Robert Yeoman, the cinematographer on all of Wes Anderson's features, talks about the example of the great Gordon Willis, who died this weekend at 82.
RogerEbert.com editor-in-chief Matt Zoller Seitz will cowrite an anthology covering the most significant TV shows, in collaboration with his old Star-Ledger colleague Alan Sepinwall, author of "The Revolution was Televised."