"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.
Matt Zoller Seitz on why Philip Seymour Hoffmann mattered.
Scout Tafoya's "The Unloved," an appreciation of fascinating movies that were critically reviled on first release, continues with a look at 1994's "The Hudsucker Proxy."
The latest from prolific independent film director Joe Swanberg ("Hannah Takes the Stairs," "Uncle Kent") is a meandering, theoretical exercise about a crime scene photographer who stages grotesque art photos of women that make them look like murder victims. The movie clearly has something to say, but what?
This action thriller about two former soldiers (Orlando Jones and Tom Everett Scott) teaming up to battle a wraithlike drug dealer (Jean-Claude Van Damme) is a mostly serviceable action film, mainly worth seeing for its villainous star turn.
Michael Mirasol chooses his favorite piece of Roger's writing.
The Sundance premiere of the Roger Ebert documentary "Life Itself" was a cathartic experience for filmmakers, subjects and viewers alike.
Matt Zoller Seitz interviews Steve James, director of "Life Itself," a documentary adapting Roger Ebert's memoir.
If the gladiator-women-in-a-dungeon thriller "Raze" had come out in 1975, Quentin Tarantino would never stop talking about it.
Less a nuanced documentary than a cry of rage, this nonfiction film about the $50 million "divorce industry" will make an ideal gift for anyone who's recently been through an expensive split-up.
An interview with New Zealand stuntwoman Zoë Bell, best known for hanging on the hood of Kurt Russell's car in "Death Proof," now the star of her own action vehicle, "Raze"