There are two movies in "Jackie." One of these movies is just OK. The other is exceptional. The first one keeps undermining the second.
It’s a mosaic film that strings together brief character sketches and striking tableaus, and then periodically returns to key characters and settings as the movie unfolds, creating a meticulous rhythm that will prove either mesmerizing or boring depending on whether you like the film.
Grateful for a scrap of melody.
Werner Herzog profiles people who are as fascinated by volcanoes as he is.
It’s a pity that Jack Reacher: Never Go Back fails to support Cruise and his costars, all of whom are acting as if their lives depended on it.
A dazzling story of love, obsession, con artistry and revenge, directed by a modern master.
A documentary about the 1966 shootings at the University of Texas at Austin, told partly through animation.
None of them are getting out of there alive.
You’re not being told a story here so much as being sold a career.
A harrowing, at times strangely lyrical look at Newton, Connecticut, site of the 2012 elementary school shootings.
For the 34th installment in his series about maligned masterworks, Scout Tafoya examines Rob Zombie's "The Lords of Salem."