In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_lxlekycuhbq08r626lsvo7jtq7y

The Man Who Knew Infinity

An account of a remarkable person should strive to be as equally remarkable as its subject, not the timid and tidy boilerplate special of a…

Thumb_large_duksgz4wurypn9yyqplujgsjfrn

Ratchet & Clank

At some point, the movie has to rely on the things at which it previously poked fun.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Waking from Guy Maddin's dream

From Rhys Southan, Brooklyn, NY:

I've seen four Guy Maddin movies now - "Twilight of the Ice Nymphs", "Careful", "The Saddest Music in the World," and "My Winnipeg". "Twilight of the Ice Nymphs" was my first encounter with Maddin's unique vision, and I'd still call it my favorite of his that I've seen, though I've liked them all. His movies are like dreams, but not like hearing someone else's dream; watching a Guy Maddin film, you almost feel like you're having this dream yourself.

I found "My Winnipeg" to be entrancing from the beginning. But there was one segment where I felt Maddin interrupts the trance in favor of a more standard approach. That's his lengthy rant against Winnipeg's demolition of an old ice hockey arena in favor of a modern one with corporate sponsorship (betrayal!). The movie is about him attempting to escape Winnipeg and the tyranny of place, memory and lap, so shouldn't razing this chunk from his past help him in his quest? The only way for him to escape Winnipeg is to destroy it. To get out, he'll have to dismantle it piece by piece, like the memories in eternal sunshine of the spotless mind. Or at least, I thought he might be going somewhere like that with it. Instead, he presents it the way just about any sincere documentary filmmaker would: isn't it a shame that they're tearing down something old for something new?

During that segment, I felt like I'd woken up from the dream. Fortunately, the frozen horse heads brought me back under.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

427: Ten years without Jen, twenty-six with

Reflections on a marriage, and what came after.

"The Hateful Eight" vs. "Pulp Fiction": The Devolution of Quentin Tarantino

FFC Gerardo Valero discusses the devolution of Quentin Tarantino by comparing The Hateful Eight to Pulp Fiction.

A Deeper Look into Sam Mendes' "Spectre"

FFC Gerardo Valero reexamines the 2015 James Bond film "Spectre" after the dust has settled.

Reveal Comments
comments powered by Disqus