Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
From Jenifer Mills, Gordonville, TX:
Do you still catch yourself being "lost in the moment" even more so than usual during some performances? A good book brings the reader along for and into the ride. In a movie, the viewer is no longer in charge of imagining the tone, decor, atmosphere, and people - a director, the cast, costume and set designers, music compositions, CGI, etc., do all of the work for you. The best movie escapes (even brief ones) occur when the viewer is immersed in a believable reality, character, emotion, or belief, whether fantastical or factual, dark or humorous, chilling or sweet.
My favorite example of a single scene ("The Fugitive"): We know when U.S. Marshall Samuel Gerard first realizes that Dr. Richard Kimble is innocent but pursues him anyway because that's his job. I bet you know the exact moment as well as I do.
My favorite example of an entire movie ("Citizen X"): We experience the hopelessness, self-loathing, fear, and bleak reality displayed by most of the characters, regardless of station, age, self-discipline, or level of humanity.
My favorite example of late ("Changeling"): [SPOILER WARNING] We watch Gordon Northcott act cagey, cruel, drunkenly triumphant, defiant, and delusional. Finally, we escort him to his well-earned death sentence. Although I was in a theater, I was there at a real hanging, feeling no sympathy for the coward but filled with true dread while watching his pathetically self-serving yet very human display, especially when he spat at the guards to slow down and then sang a Christmas carol to comfort himself. Mr. Harner should be nominated for and win the best supporting actor Oscar hands down.
Having once made the statement above, I have declined all opportunities to ...
An essay on how technology has rendered us a one-handed species.
An FFC writes about the use of Giuseppe Verdi's "Dies Irae" in "Mad Max: Fury Road".
A final film report from Cannes on two of the last films for 2015: an update of Macbeth and an environmental document...