Pride and Prejudice and Zombies
The small, deadpan moments in "Pride and Prejudice and Zombies" have more of an impact than the massive, noisy set pieces.
From Arlie Davis:
I was surprised to see this statement in your review of "Outside the Law": "Imagine the feelings of Americans about a film where the Confederacy is viewed as heroic and the Union as murderous invaders. It all depends on which side you think is the right one."
Nearly every movie that I have seen that involves the US Civil War *has* portrayed the Union as murderous invaders, and the Confederacy as heroic defenders of home and hearth. I cannot think of a single significant movie that shows the Union as a force of liberation, re-union, and forgiveness. Which it was.
The Union won the military and legal battle. But the Confederacy won the emotional battle.
Consider "The Good, the Bad, and the Ugly." The baddest bad guy is a vicious, torturing, murdering Union officer. Or "An Occurrence at Owl Creek Bridge." It's *not* a political story, but instead is a very lyrical and personal study of the value of life, at its very end. The protagonist is clearly a middle-class Everyman who was fending off the invading North, and is hanged for it. Countless, uncountable movies show similar perspectives.
This message came to me from a reader named Peter Svensland. He and a fr...
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