"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.
From Michael Carlton, Norman, OK:
Thank you so much for including "Chimes at Midnight" in your Great Movies series and asking for its home video release in the United States. When I decided to write my MA thesis on two films by Orson Welles, I wanted to work on two masterpieces from radically different parts of his career - "Citizen Kane" and "Chimes at Midnight." I also had to order a DVD from Spain, though due to its incompatibility with most American players I was unable to share this wonderful film with friends and colleagues.
While Welles has often been given the credit he deserves for his earlier triumphs, his later and more independent films include such gems as "Mr. Arkadin" and "The Trial" (both of which play like a blending of the early Welles and someone like David Lynch or Luis Bunuel). Yes, he was badly treated by the system but he did not stop making art on his own terms. Unfortunately, for a long time the later films have been treated to indifferent or completely inadequate home video distribution in terms of both availability and picture quality. Criterion and other such series have helped with this (their recent release of "F for Fake" is incredible) but more attention like this could really help to encourage more recovery efforts for this American master.
The recent #CancelColbert campaign on Twitter raises all kinds of issues about racism, but also about hashtag activism.
Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.
Owen Gleiberman's sacking as lead film critic of Entertainment Weekly — part of a ritual bloodletting of staffers at ...