Led by a fine performance by Jack O’Connell, ’71 balances edge-of-your-seat thrills with surprisingly balanced scenes of drama. Evokes the work of Paul Greengrass and…
TORONTO -- Notes after emerging from early screenings at the Toronto Film Festival:
TORONTO -- The ghosts of good films and old friends haunt the streets of Toronto this year. I am in a nostalgic mood, inspired by the 25th anniversary of the festival.
TORONTO -- It was the opening weekend of the 25th anniversary Toronto Film Festival, the summer was over, and it was safe for the good movies to open again. Summer is the season devoted to the mindless feeding of our base desires for low entertainment. Autumn is when we get new three-ring binders and iron our chinos and go back to school. Something ineffable in the first cool day of September makes us think deeper thoughts and nurture our better natures. This passes, but for a time we feel virtuous and want to go to movies that will reveal the secrets of life.
TORONTO -- I missed the first Toronto Film Festival. So did a lot of other people. I've attended every one since. The second was like a gathering of conspirators who raced from theater to theater on the rumors of screenings. But the festival has grown so steadily that its 25th anniversary event, which begins today, can safely be called the most important film festival in North America, and one of the top handful in the world.
CANNES, France--We gather silently on a hillside above the sea, with a view of the mountains in the far mist. It is like a hospital waiting room. Farther down the hillside, we can see Lars von Trier sitting in the shade of a cabana, giving an interview. He is famously phobic--worried about elevators, closed spaces, upper floors, crowds. Here at the Hotel du Cap d'Antibes, he is surrounded by light and air.
CANNES, France -- Why did they save the best for last? "Songs From The Second Floor" and "In The Mood For Love," two brilliant final entries in this year's Cannes Film Festival, played over the weekend, as the hotels were emptying and the traffic jams clearing.
CANNES, France -- A Danish film set in America but filmed in Sweden with stars from Iceland, France and the United States won the coveted Palme d'Or here Sunday night, at the 53rd Cannes Film Festival. Lars Von Trier's "Dancer In The Dark" picked up the top prize even though it got the most negative review in the recent history of Variety, the show biz bible. And its star, the Icelandic pop singer Bjork, won as best actress even though von Trier insists she is not an actress at all.
CANNES, France -- I am a little dizzy. I have just returned from a $2,500-a-ticket dinner auction that followed a fashion show of Victoria's Secret swimwear and included Kenneth Branagh and James Caan stripping to the waist to be massaged by supermodel Heidi Klum on top of a piano later to be played by Elton John, while Harvey Weinstein auctioned off lunch with Nelson Mandela for $100,000.
CANNES, France -- Films are booed at Cannes for two reasons: Because they are bad, or because they are infuriating. Those in the second category are likely to be quite good, although they make you so mad, you have to step back and cool off to appreciate their qualities.
CANNES, France -- My editor was impressed that I had seen 16 movies in five days here. "I could easily double that," I told her, "if I could get anyone to bring me a check."