The film breathes exhilarating life into its tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.
PARK CITY, Utah -- At most film festivals, 90 percent of the audience members are civilians and 10 percent are employed in the industry. At Sundance, the ratio is reversed. Screenings here consist of pitches, bids, dealmaking, business card exchanging and schmoozing, interrupted by movies.
PARK CITY, Utah The future of the American film industry begins its annual convention here today, at the Sundance Film Festival. For the next 10 days, new independent films and documentaries will unspool all over town, in every possible performance space: Wherever two or three gather together, they're probably looking at a movie.
The Chicago International Film Festival has not always been distinguished by its choice of opening-night films. Some never subsequently opened commercially, and at least one sent Junior Leaguers fleeing from the theater. But Mark Herman's "Little Voice," which opens this year's festival tonight, is a splendid choice - a film that may pick up an Oscar nomination or two.
TORONTO -- Reeling after a week of too many films built on too much mindless brutality, I found "Little Voice" and "Mixing Nia" to be soothing reassurances that there were still filmmakers with heart and humor. The general view at this year's Toronto Film Festival is that a lot of ambitious new flickers are engaged in a game of one-upmanship in violence and may have outstripped even the audience appetite for mayhem.
TORONTO -- Toronto 1998 was an edgy festival for people like me who are convinced that anything can theoretically be a legitimate subject for a film. Movies about the Holocaust, child abuse, rape and reckless murder have had audiences cringing and critics embroiled in nose-to-nose debates in the lobbies. The director John Waters has coined a term for them: Feel-Bad Comedies. So have I: the New Geek Cinema.
TORONTO, Ont.--It is uphip to admit to being offended by anything in the new movies, and indeed it's pretty hard to offend me, but a film named "Thursday" crossed the line this week at the Toronto Film Festival. Watching it, I felt outrage. I saw a movie so reprehensible I couldn't rationalize it using the standard critical language about style, genre, or irony. The people associated with it should be ashamed of themselves.
TORONTO -- The public and the critics were far apart in choosing their favorites at this year's Toronto Film Festival - selecting titles that could almost be viewed as opposites.
TORONTO -- Canada Every year at the Toronto Film Festival we gather, the friends of George Christy, to have lunch in the Four Seasons Hotel. This is a tradition going back so far that no one except George remembers how it started, or what it represents. Christy, who writes the "Good Life" column for the Hollywood Reporter, invites some 70 of the chosen to a private dining room, where we eat chicken pot pie and gossip among ourselves.
TORONTO -- I can't identify with a lot of the families I see in movies. They aren't like my family and I doubt if they're like anyone's. The family in "A Soldier's Daughter Never Cries" isn't like anyone else's family, either, but I never doubted for a moment that it existed. The movie could be advertised with a line like, "Apart from the fact that my dad was an alcoholic novelist and we were raised in the expatriate colony in Paris in the 1960s, I had a typical American childhood."
TORONTO -- We are a little past the halfway point of the 23rd Toronto Film Festival, and my colleagues are looking more hollow-eyed and gaunt than usual. It is a strange occupation, going to three or four movies a day, and critics begin to resemble fishlike creatures from unlit caverns. This year is worse than usual, because the facilities are better.