Rarely has a remake felt more contractually obligated than the 2015 version of Poltergeist.
SAVANNAH, Ga. – The chair moves. It truly does. It may not seem like a big deal to you, because you are a reasonable person who is not obsessed with “Citizen Kane,” but I have seen the movie perhaps 100 times, and analyzed it shot-by-shot in at least 30 sessions at festivals and in class, and I thought it contained no more surprises for me. The beauty of the shot-by-shot approach is that the theater is filled with other eyes watching the screen.
TORONTO -- "Hotel Rwanda," a film that left its audiences shaken with its portrait of genocide in Africa, won the People's Choice Award here Sunday as the audience favorite at the 29th Toronto International Film Festival.
A sampling of movies from the Toronto International Film Festival from the editor of RogerEbert.com, who was celebrating his fifth TIFF.
TORONTO -- Sometimes it's good to sit down in a quiet corner and take a deep breath and stop running as fast as you can. This year at the Toronto Film Festival, I've averaged three to four films a day and talked about movies in interviews, at lunch, in hotel lobbies, in elevators, corridors, standing next to hot dog stands, waiting in line for coffee, lingering on theater sidewalks and walking down the street. The phone is ringing right now.
TORONTO -- Anant Singh opened his first video store in Durban, South Africa, when it was still illegal for a nonwhite to own a store in a whites-only area. Mark Bamford and Suzanne Kay moved from Los Angeles to South Africa four years ago to make movies. For many years, their interracial marriage would have been against the law there. Darrell James Roodt started making anti-apartheid films in the early 1980s, when he had to work in secret. His producer was Anant Singh, who used profits from his video stores to back films he could not legally make. Leleti Khumalo, who is 33, spent the first 23 years of her life living under apartheid. Her father died when she was 3. Her mother worked as a domestic, raising her four children in a home with a bed as its single piece of furniture.
TORONTO -- I went to be interviewed for Stuart Samuels' new documentary, "Midnight Movies," and it started me thinking. His film will be about the transgressive movies that started appearing in the 1970s -- titles like "Eraserhead," "El Topo" and "The Rocky Horror Picture Show." He wanted to know who went to see them, and why, and what it all meant, and his questions started me thinking.
TORONTO -- Moviegoers at this festival who have seen "Hotel Rwanda" talk about it in a hushed tone, and their eyes turn away as if remembering the images. (One person I know walked out of the theater and skipped her next movie and went back to her hotel room and cried.) Here is a film about a brave and good man, but it is also a howl of rage against the crimes of men against men.
TORONTO, Ont. -- This kid David Gordon Green is 29 years old, and he is a great filmmaker. He walked onto the stage at the Toronto Film Festival wearing jeans, a T-shirt and flip-flops, and said he'd gotten worked up over the premiere of his new film and stubbed his little toe on his coffee table and broken it. "It's twice the size it was an hour ago," he said morosely, peering down at the injured digit. And then he showed us "Undertow," and this film is a masterpiece.
TORONTO -- Oscar season starts this weekend. The Toronto International Film Festival has become the showcase for ambitious autumn releases by studios hoping for Academy Awards, or at least for good reviews of movies that adults can enjoy without resorting to their child within.
TELLURIDE, Colo. -- The most remarkable discovery at this year's Telluride Film Festival is "Overlord," an elegiac 1975 film that follows the journey of one young British soldier to the beaches of Normandy. The film, directed by Stuart Cooper, won the Silver Bear at Berlin -- but sank quickly from view after a limited release and was all but forgotten until this Telluride revival.