The November Man
In this excitingly nasty but ultimately confused action picture, Pierce Brosnan plays a retired government hitman drawn out of retirement to untangle a global political…
PARK CITY, Utah Of course I've seen all the wrong films so far at the Sundance Film Festival, according to the touts who whisper in my ear before screenings. It is always this way. You think you're seeing wonderful films, and everybody assures you that you've missed the masterpieces and are hopelessly out of the loop.
PARK CITY, Utah -- So this kid accosts me last Thursday night while I'm standing in the lobby before the Robert Altman film.
PARK CITY, Utah -- You have to go to something like Robert Redford's annual "filmmakers' brunch" to sense the level of ambition, hope and need at the Sundance Film Festival. You understand that the festival is a showcase for independent filmmakers. You know that a lot of them are here with their first or second movies and a game plan to make a sale, find distribution, win awards and generate buzz.
PARK CITY, Utah -- At most film festivals, 90 percent of the audience members are civilians and 10 percent are employed in the industry. At Sundance, the ratio is reversed. Screenings here consist of pitches, bids, dealmaking, business card exchanging and schmoozing, interrupted by movies.
PARK CITY, Utah The future of the American film industry begins its annual convention here today, at the Sundance Film Festival. For the next 10 days, new independent films and documentaries will unspool all over town, in every possible performance space: Wherever two or three gather together, they're probably looking at a movie.
The Chicago International Film Festival has not always been distinguished by its choice of opening-night films. Some never subsequently opened commercially, and at least one sent Junior Leaguers fleeing from the theater. But Mark Herman's "Little Voice," which opens this year's festival tonight, is a splendid choice - a film that may pick up an Oscar nomination or two.
TORONTO -- Reeling after a week of too many films built on too much mindless brutality, I found "Little Voice" and "Mixing Nia" to be soothing reassurances that there were still filmmakers with heart and humor. The general view at this year's Toronto Film Festival is that a lot of ambitious new flickers are engaged in a game of one-upmanship in violence and may have outstripped even the audience appetite for mayhem.
TORONTO -- Toronto 1998 was an edgy festival for people like me who are convinced that anything can theoretically be a legitimate subject for a film. Movies about the Holocaust, child abuse, rape and reckless murder have had audiences cringing and critics embroiled in nose-to-nose debates in the lobbies. The director John Waters has coined a term for them: Feel-Bad Comedies. So have I: the New Geek Cinema.
TORONTO, Ont.--It is uphip to admit to being offended by anything in the new movies, and indeed it's pretty hard to offend me, but a film named "Thursday" crossed the line this week at the Toronto Film Festival. Watching it, I felt outrage. I saw a movie so reprehensible I couldn't rationalize it using the standard critical language about style, genre, or irony. The people associated with it should be ashamed of themselves.
TORONTO -- The public and the critics were far apart in choosing their favorites at this year's Toronto Film Festival - selecting titles that could almost be viewed as opposites.