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John Wick

The film breathes exhilarating life into its tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.

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Low Down

Preiss' movie does a consistently excellent job of explaining the lure of jazz, and the psychology of addicts, their enablers and their children, without explaining…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Redford reflects on indie films, political climate

PARK CITY, Utah--Robert Redford remembers the early years of the Sundance Film Festival: "We had 30 or 40 films, in two theaters. I was standing in the street outside the Egyptian Theater, handing out brochures like a street hawker, trying to talk people into coming inside. I saw David Puttnam, who was running Columbia at that time, and gave him the pitch. He went in, saw Jim McBride's 'The Big Easy,' and bought it. That was the first film bought at Sundance."

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Sundance holds great promise

PARK CITY, Utah--I have just spent an hour with the 2003 program for the Sundance Film Festival, and I am churning with eagerness to get at these films. On the basis of track records, this could be the strongest Sundance in some time--and remember, last year's festival kicked off an extraordinary year for indie films.

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