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This Is Where I Leave You

The family gathering comedy is one of the more difficult genres to pull off. Good for Levy for trying something different. But next time he…

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The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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'Auto Focus' captures star's downfall

TELLURIDE, Colo.--Bob Crane seems to have been an awfully nice guy. Not a faithful husband, not a great father, but a helluva nice guy to run into late at night in a bar or a strip club, especially if you were young, female, and a fan of "Hogan's Heroes." Chances are he would even oblige you by having sex.

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Suspense builds, Cinerama rolls at Telluride fest

TELLURIDE, Colo.--The schedule of each year's Telluride Film Festival is as closely guarded as the Oscar winners. Until they arrive, gasping for air, in this pretty little mountain town at the 10,000-foot level, festival ticket holders have no idea what they'll be seeing. Rumors start early. At the Denver airport, waiting for the shuttle to Montrose, I was informed that Martin Scorsese's "Gangs of New York" will be sneaked here this year. That is almost certainly not true (never say never). Then again, if somebody had told me that Telluride was going to resurrect the three-screen, three-camera Cinerama process, I would have doubted it. And they are.

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The shifting sands

I approach this annual task with a sense of foreboding. The 2002 Oscar race rests on shifting sands. There are scarcely even any absolute front-runners, unless it is Jennifer Connolly as best supporting actress. I am sure of one category, then another. Then I change my mind.

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No place for political correctness in film

PARK CITY, Utah--The man in the audience was angry. "How could you," he asked the director, his voice trembling with sincerity, "despite your talented cast and great production values, make such a bleak, negative, amoral film? What kind of a portrait is this of Asian Americans? Don't you have a responsibility to paint a more positive and helpful portrait of your community?"

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Waiting for greatness at a solid fest

PARK CITY, Utah--Good films but no great films. As the Sundance Film Festival heads into its final weekend, last year's exhilaration fades into a kind of contentment: We've enjoyed ourselves, we've seen films of originality and quality, but where is this year's equivalent of "Memento"? "The Deep End"? "In the Bedroom"? "Waking Life"?

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