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The Transporter Refueled

The Transporter Refueled is an unnecessary bore from start to finish, one that even the most devoted Luc Besson fanatics will find difficult to defend.

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War Room

War Room preaches that we have no call to be righteous and judge others, yet the film itself is righteous and judgmental in the extreme.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Toronto #1: 2nd city for film festivals

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TORONTO, Ont. -- And now the ecstasy and madness begins. The 32nd Toronto Film Festival opens Thursday with no fewer than 15 films, and that’s before it gets up to speed. The Trail Mix Brigade is armed with their knapsacks, bottled water, instant snacks, text messengers and a determination to see, who knows, six, seven, eight films a day.

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So many films, so little time

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I have before me a schedule of the 2007 Toronto Film Festival, which opens Thursday and runs 10 days. I have been looking at it for some time. I am paralyzed. There are so many films by important directors (not to mention important films by unknown directors), that it cannot be reduced to its highlights. The highlights alone, if run in alphabetical order, would take up all my space.

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Ebertfest 2007 in pictures

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A splendid time was guaranteed for all as Roger Ebert emerged at last from months of recuperation and into the public spotlight for Ebertfest 2007. Ebert is still recovering from surgical complications that beset him last summer, but his infectious energy and enthusiasm remain undiminished. Meanwhile, the audience greeted Ebert's film choices with relish, but reserved their greatest affection for the man himself. Here's a look at the ins and outs of the 9th Annual Roger Ebert Overlooked Film Festival -- onstage and behind the scenes....

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The Marty Show

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The cops-and-mobsters thriller "The Departed," which director Martin Scorsese described as the first movie he's ever done with a plot, took the jackpot prize at the Academy Awards last night. For Scorsese, this was supposed to be a genre picture, not Oscar-bait like "The Aviator" and "Gangs of New York," but it turns out that, even at the Oscars, sometimes you can come out ahead when you don't look like you're trying so hard.

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Watching the Oscars with Ebert

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Sun-Times film critic Roger Ebert, who's still recovering from surgery, is watching the Oscars from home this year — for the first time in decades. But of course, he's still there in spirit on the red carpet. In the meantime, some observations:

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Ebert's Oscar predictions (2007)

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In a year when the Academy Award nominations are more diverse and international than ever before, it's anyone's guess who will win best picture. "Dreamgirls" garnered more nominations than any other movie, but was passed over for both picture and director.

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Ebert's take on the Oscar picks

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Oscar is growing more diverse and international by the year. This year's Academy Award nominations, announced Tuesday, contain a few titles that most moviegoers haven't seen and some they haven't heard of. That's perhaps an indication that the Academy voters, who once went mostly for big names, are doing their homework and seeing the pictures.

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Reading those Oscar tea leaves

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Last summer, according to most industry prognosticators, this whole Oscar race thing was supposed to be all over already. Before its release, Clint Eastwood's "Flags of Our Fathers" was widely expected to be greeted with flowers and statuettes. The combination of Eastwood and Paul Haggis (screenwriter of the last two Best Picture winners, Eastwood's "Million Dollar Baby" and Haggis's "Crash") made the Red Carpet look like a cakewalk. "Letters from Iwo Jima" wasn't even on the release schedule for 2006, so as not to interfere with "Flags"' Oscar chances. Martin Scorsese's "The Departed," on the other hand, was cheered as a "return to his (generic) roots, " a straight-up commercial cops-and-crooks movie to follow up his prestige-picture Oscar bids, "Gangs of New York" and "The Aviator," but not something seriously For Your Consideration.

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