In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb beguiled

The Beguiled

The kind of movie that lingers on in your head, just like the best fairy tales do.

Thumb big sick

The Big Sick

Finds that laughter-through-tears sweet spot, often in the unlikeliest of places.

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Far Flunger Archives
Square thumb criticsthumbsup

Political Thumbnails 6/23/17

Special edition of Thumbnails with political articles: How to live with critics; Obama on the new health care bill; Trump says the poor can't be…

Other Articles
Channel Archives
Primary eb20090126oscars901269995ar

Elevating the Oscar winners Part #2: Best Leading Actor

This continues my experiment with predicting this year's Oscars entirely without logical thought of reference to rumors and odds, but entirely on the basis of my emotions, with reference to the newly-named human emotion of Elevation.

My usual logical and, of course, profound official predictions will appear with the annual Outguess Ebert contest on Feb. 8. These early judgments are entirely subjective and inarguable. They won't even include discussions of the other four nominees. They will not necessarily be reflected in my Feb. 8 selections.

Advertisement

It is impossible not to be implicated with a career performance by an actor you have long observed and admired. I've met Mickey Rourke, been on locations, admired him, deplored his self-destruction (which was not by the usual Hollywood routes but because of disastrous career decisions and uncontrolled personal intensity).

It is routinely said that "The Wrestler" is Rourke's "comeback performance." It is not only that. It is his comeback on his own terms, as a full-force, heedless, passionate physical actor, with strong undercurrents of tenderness, loneliness, and need. He did a lot of his own wrestling in the film, including a scene where he deliberately cuts himself, and he was painfully honest in the scenes with women. What you see is a man with what he knows is the role of his lifetime, and willing (I am convinced) to die for it.

The blog entry on elevation is here: http://blogs.suntimes.com/ebert/2009/01/i_feel_good_i_knew_that_i_woul.html

Reveal Comments
comments powered by Disqus