Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
While Cannes's red-carpet crowd toasts the Coen brothers' tuneful "Inside Llewyn Davis," the parallel programs have also turned a spotlight on America.
A day of grim films in which "Borgman" attempts Haneke-like surreal grimness and falls short, "The Missing Picture" and "Death March" turn artifice to their…
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Los Angeles, CA: Sundance Institute will remember and celebrate journalist and film critic Roger Ebert by honoring him with the Vanguard Leadership Award in Memoriam,…
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dedicated to memories of Roger Ebert, for the simple reason that talking about movies is so thrilling. He did not like lists, but I love…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, India, Great Britain, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
My friend and colleague Michael Mirasol, from the Philippines, now in Australia, is the very image of a Far-Flung Correspondent. We bonded at Ebertfest. Look at his magnificent video essay about Vincent Ward's film, which we honored at Ebertfest.
Map of the Human Heart (A video essay from Roger Ebert's Far Flung Correspondents) from Michael Mirasol on Vimeo.
My own 1993 **** review of "Map of the Human Heart.
Here's the home page of the Far-Flung Correspondents, displaying the leads of their recent work. Starting from my observation of how many comments on my blog came from readers who were (1) foreign, (2) wrote superbly and (3) had a deep knowledge of the movies, the FFCs have become a unique collaboration of online friends. And that goes without mentioning their secret Karaoke Night at Ebertfest.
Michael Mirasol is one of the leading artists in the online genre of the video essay. I feel honored that he created this one for the FFCs. He was one of the first FFCs, now living in Perth, Australia, after I've known him through stays in the Middle East and Malaysia.
He wrote me this week:
Hi Rog. I'm putting the finishing touches on my Video Essay of Vincent Ward's MAP OF THE HUMAN HEART, which you should receive by noontime tomorrow your time. I see you follow Vincent Ward on Twitter, I hope he won't mind the spoilers that are in the vid. Watching it so many times this month, I keep on coming back to the ending, where Avik meets his daughter in the bar. What follows after that scene, may all be in Avik's mind. Once they venture out together and she begs him to come to her wedding, her tone is markedly different from when she asked him in the bar, "Do you want some money? You could buy drinks." It's a devastating moment completely turned around by a subsequently hopeful scene (one that plays out too good to be true but we want to believe it). I've always "known" that Avik getting stranded on that melting piece of ice was the reality, but I didn't realize how much his wishful thinking might have extended back to his daughter begging him to come. It makes his lonesome fate all the more tragic. At least we have a young Albertine singing in the background, giving us solace that "they meet in heaven." I really tried to get this video essay up by Valentine's Day, but am so swamped with a new "ruthless one" on the way. Hope this will make the cut.
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ˆMichael Mirasol is a Filipino I.T. Consultant whose work for the past 13 years has allowed him to live in Malaysia, the UK, Saudi Arabia, the US, and Australia. In that same time, he served as an independent film critic contributing commentary and analysis for The Manila Times, UNO Magazine, The Spectator Arts Blog, IndieWire's PressPlay Blog, Fandor and The Australian Centre of the Moving Image. He has also written short pieces for a series of World Film Locations books for Scott Jordan Harris and now contributes video essays for Roger Ebert's Far Flung Correspondents.
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While Cannes's red-carpet crowd toasts the Coen brothers' tuneful "Inside Llewyn Davis," the parallel programs have a...
A day of grim films in which "Borgman" attempts Haneke-like surreal grimness and falls short, "The Missing Picture" a...
Michał Oleszczyk
After duds "Jimmy P." and "Grand Central," the Coen brothers' "Inside Llewyn Davis" saves the day for Barbara Scharre...