In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

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Timbuktu

A work of almost breathtaking visual beauty that manages to ravish the heart while dazzling the eye simultaneously, neither at the expense of the other.

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Son of a Gun

Avery’s more than capable behind the camera, he just needs to be met halfway by his screenwriting, which dwells in overly familiar territory.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Ali Arikan of Istanbul, Turkey on "24 Hour Party People"

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With this video essay by Ali Arikan of Istanbul, Turkey, I launch my site's new feature, Foreign Correspondents. Film commentators from all over the world will contribute their video reviews, observations, musings, philosophies and pronouncements. Ali has been an online friend of mine for untold years, and is a favorite poster on my blog. He and several other Foreign Corresondents will be panelists at Ebertfest at the University of Illinois in April.

In the wings are fine critics from (alphabetically) Canada, Egypt, India, Mexico, Pakistan, the Philippines, South Korea, Taiwan and Uruguay. These voices are not often heard on internet sites serving U.S. movie lovers. They've added immeasurably to the quality of the discussions on my blog. I will link back to their blogs. Comments are open. The same thread will extend under several videos. Roger

Ali Arikan discusses "24 Hour Party People," a 2002 British film about the man who launched two of the most important rock movements of the last three decades.

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Steve Coogan moments collected from "24 Hour Party People:":

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