Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project. He also discusses the ultimate fate of…
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun's "Grisgris" is a mixed bag. So it goes sometimes at Cannes.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, India, Great Britain, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
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With this video essay by Ali Arikan of Istanbul, Turkey, I launch my site's new feature, Foreign Correspondents. Film commentators from all over the world will contribute their video reviews, observations, musings, philosophies and pronouncements. Ali has been an online friend of mine for untold years, and is a favorite poster on my blog. He and several other Foreign Corresondents will be panelists at Ebertfest at the University of Illinois in April.
In the wings are fine critics from (alphabetically) Canada, Egypt, India, Mexico, Pakistan, the Philippines, South Korea, Taiwan and Uruguay. These voices are not often heard on internet sites serving U.S. movie lovers. They've added immeasurably to the quality of the discussions on my blog. I will link back to their blogs. Comments are open. The same thread will extend under several videos. Roger
Ali Arikan discusses "24 Hour Party People," a 2002 British film about the man who launched two of the most important rock movements of the last three decades.
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Steve Coogan moments collected from "24 Hour Party People:":
Next Article: Wael Khairy of Cairo, Egypt on "Monster"
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project....
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun'...
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The G...