The Grand Budapest Hotel
As much as "The Grand Budapest Hotel" takes on the aspect of a cinematic confection, it does so to grapple with the very raw and,…
An epic essay on an epic comedy of the 1960s, now given deluxe treatment on Blu-ray and DVD by Criterion.
Memory lane with the Coen Brothers and John Goodman; the uncharacteristic reticence of Ronan Farrow; how our minds mislead us (let us count the ways); Ernst Lubitsch’s pre-code transgressions; Rebecca Miller on the importance of casting directors.
Distribution company Olive Films has released two obscurities by Jean-Luc Godard, 1976's "Comment Ca Va" and 1987's "Soigne ta Droite" (known in the U.S. as "Keep Your Right Up") and while these films may not have the immediate impact of his better-known works, they both reveal a filmmaker who has spent his career challenging himself, his viewers and the very medium of cinema itself in ways that are oftentimes fascinating and frustrating in equal measure.
What’s happened to physical comedy? Have we’ve lost the desire to stimulate the part of the brain pratfalls talk to? Max Winter wants answers to these questions, and wonders if the great silent comedian Harold Lloyd can provide them.
Peter Bogdanovich's movie musical "At Long Last Love" developed one of those reputations as a career-killing stinker, but in hindsight, it's a pretty darn good mix of 1930s tunes with the slightly more realist sensibility of later musicals. And it's a project with a crazy history. Now that it is out on Blu-Ray, it deserves another look.
HBO’s Pussy Riot: A Punk Prayer lets us look closely at young women who have been the subject of so much conversation that their personhood has almost been obscured.
With its partly improvised dialogue and eruptions of argument, Mike Leigh's "Life is Sweet," now on Criterion DVD, gave viewers was insight into where the director had been, artistically. It also hinted at where he was going: into territory with far more visual and verbal polish.
"American Masters: Inventing David Geffen" premieres Tuesday, Nov. 20th at 8:00pm on PBS. (Check local listings.) It can also be viewed, where available, via PBS On Demand.
by Jeff Shannon
It was my good fortune to be working at Microsoft when the big announcement was made in March of 1995: Microsoft was entering into a joint venture with DreamWorks SKG, the new film studio and entertainment company founded the previous year by mega-moguls Steven Spielberg, Jeffrey Katzenberg and David Geffen (the "SKG" in the company's original moniker). At the time, Microsoft dominated the booming business of multimedia publishing, and the group I was working in, nicknamed "MMPUB," was producing a dazzling variety of CD-ROM games and reference guides. As an independent contractor I was the assistant editor of Cinemania, a content-rich, interactive movie encyclopedia (later enhanced with a website presence) that was an elegant and in some ways superior precursor to the Internet Movie Database.
"All Together," or "Et si on vivait tous ensemble?" (97 minutes) is available via VOD on various cable systems, and on iTunes, Amazon Instant and Vudu.
The cinema of 2012 is brought to you by Viagra, or so it seems. The year has been chock full of movies about horny old people. Sure, the characters still complain, have aches and pains, and deal with moments both senior and regrettable. But Nana's also out to prove she's still got the ill na na, and Gramps is in the mood like Glenn Miller on an endless loop. Films like Dustin Hoffman's "Quartet," with its randy Billy Connolly, and the main characters of Stephane Robelin's "All Together" dispel the myth that once you go gray, the sex goes away. These folks are reclaiming "bitch and moan" from its grumpy origins, and turning the phrase into a cause-and-effect relationship.
"The Girl" premieres on HBO at 9:00pm (8:00pm Central) on Saturday, Oct. 20. It will also be available on HBO GO.
by Jeff Shannon
October, 1961: A New York fashion model on the verge of Hollywood stardom, 31-year-old Tippi Hedren (Sienna Miller) is invited to a celebratory lunch with legendary film director Alfred Hitchcock (Toby Jones) and his wife Alma (Imelda Staunton), who's also his long-time collaborator. A divorced single mother (of future actress Melanie Griffith, then four years old), Hedren is plucked from obscurity to star in "The Birds," Hitchcock's highly anticipated follow-up to his phenomenally successful 1960 thriller, "Psycho." After Alma sees her in a TV commercial ("I like her smile," she says to "Hitch"), she arranges a meeting. Secretly smitten, Hitchcock directs Hedren's screen test in his own Bel Air home and, shortly thereafter, offers a toast.