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Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

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Annie

The new version of "Annie" is fashionably artificial and not very well directed, but its unabashed good cheer is very welcome.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Thumbnails 11/4/2013

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Memory lane with the Coen Brothers and John Goodman; the uncharacteristic reticence of Ronan Farrow; how our minds mislead us (let us count the ways); Ernst Lubitsch’s pre-code transgressions; Rebecca Miller on the importance of casting directors.

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Ca va bien: Two Godard Films New to DVD and Blu-ray

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Distribution company Olive Films has released two obscurities by Jean-Luc Godard, 1976's "Comment Ca Va" and 1987's "Soigne ta Droite" (known in the U.S. as "Keep Your Right Up") and while these films may not have the immediate impact of his better-known works, they both reveal a filmmaker who has spent his career challenging himself, his viewers and the very medium of cinema itself in ways that are oftentimes fascinating and frustrating in equal measure.

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Inventing David Geffen: The Art of Self-Creation

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"American Masters: Inventing David Geffen" premieres Tuesday, Nov. 20th at 8:00pm on PBS. (Check local listings.) It can also be viewed, where available, via PBS On Demand.

by Jeff Shannon

It was my good fortune to be working at Microsoft when the big announcement was made in March of 1995: Microsoft was entering into a joint venture with DreamWorks SKG, the new film studio and entertainment company founded the previous year by mega-moguls Steven Spielberg, Jeffrey Katzenberg and David Geffen (the "SKG" in the company's original moniker). At the time, Microsoft dominated the booming business of multimedia publishing, and the group I was working in, nicknamed "MMPUB," was producing a dazzling variety of CD-ROM games and reference guides. As an independent contractor I was the assistant editor of Cinemania, a content-rich, interactive movie encyclopedia (later enhanced with a website presence) that was an elegant and in some ways superior precursor to the Internet Movie Database.

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