What Céline Sciamma is interested in is "moments." There are many moments that linger in the mind long after the film has ended.
Tom Shales served as TV critic of The Washington Post for 25 years, winning the Pulitzer Prize for criticism in 1989. He left the once-proud paper in Ruins. Shales also spent two decades reviewing movies for NPR's Morning Edition and is the coauthor of two bestsellers: "Live from New York," on "Saturday Night Live," and "Those Guys Have All the Fun," on ESPN. No wonder he's tired.
Tom Shales writes about his friendship with Roger.
Tom Shales picks his favorite piece of Roger's writing.
The World 3-D Film Expo III, running Sept. 6–15 at the Egyptian Theater in Hollywood, may be the last chance to see some great 1950s 3-D films projected the way they were intended to be.
Tom Shales comments on the television news coverage of the George Zimmerman trial. The media avoided the big issues of race and justice in favor of a sensationalistic 'who will win' approach.
Tom Shales looks at "Carson on TCM," a weekly series of shows culling great Carson interviews.
Jay Leno and I go way back. One of my fondest memories is of Jay chasing me around the parking lot of the Hotel Bel-Air in Los Angeles. I always tell people that I thought of the Bel-Air, which I could still afford in those days (long long ago), as more a sanitarium than a hotel. You know how in L.A. your waiter has probably written a screenplay or two? At the Bel-Air, one of the parking attendants had actually starred in an ABC network series several years earlier! He played a wolf-boy.
Aye, it's the age-old story. Oh the naming of a new pope, sure, but there's another less-age-old story: TV networks covering something that their anchors and reporters call a glorious spectacle and then ruining the spectacle with superfluous graphics littering the screen.
Listen -- a billion people are throwing up. That's a rough estimate of course, but every year somebody at the Oscars says a billion people on the planet are watching the program; however many watched this year's Oscar show, they may well have felt sickened by it. It was a stomach-churning, jaw-dropping debacle, incompetently hosted and witlessly produced.
Roughly five months ago, back in the summer of '12, the spectacularly popular Robin Roberts, co-anchor of ABC's "Good Morning, America," left the show for a sabbatical of indeterminate length. She might be gone for six or eight months, viewers inferred, or for a year. Or, forever.
Back in ancient days of rampant ignorance and sexist effrontery, a TV commercial for a product now forgotten depicted a happy married couple whose cheer seemed guaranteed by the woman's subservience to the man. At the end of the ad he uttered a phrase that entered, to the dismay of millions, the iconography of the time: "My wife -- I think I'll keep her."