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Life

Life struck me as several cuts above “meh” but never made me jump out of my seat.

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Power Rangers

Trashy, goofy, and surprisingly sincere, this superhero fantasy is better than you expect but not as good as it should be.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Simon Abrams

Simon Abrams

Simon Abrams is a native New Yorker and freelance film critic whose work has been featured Esquire, the Village Voice and elsewhere.

Simon started his career as an arts critic writing comics reviews for the Comics Journal. He conducted the cover interview with writer Robert Kirkman in issue #289. After writing film reviews for the New York Press and Slant Magazine, Simon wrote film reviews for the Village Voice, an outlet that he now regularly contributes feature interviews and capsule reviews to. This past November, Simon wrote the cover interview with the Wachowski siblings.

Simon has also spoken at a number of panel discussions in New York. This past December, Simon helped to organize and participated in a panel discussion at 92YTribeca on Jean-Luc Godard's King Lear, and in January, Simon spoke at the Museum of Modern Art during a panel discussion on Pier Paolo Pasolini's Trilogy of Life. Simon's currently writing a book on the exploitation of blood and gore on film.

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CHiPS

(2017)

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Prevenge

(2017)

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The Devil's Candy

(2017)

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The Belko Experiment

(2017)

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Rangoon

(2017)

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Headshot

(2017)

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VooDoo

(2017)

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The Great Wall

(2017)

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Don't Knock Twice

(2017)

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The Lure

(2017)

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Kung Fu Yoga

(2017)

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The Red Turtle

(2017)

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Leonard Cohen: Bird on a Wire

(2017)

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Arsenal

(2017)

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Assassin's Creed

(2016)

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The Eyes of My Mother

(2016)

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Sky on Fire

(2016)

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One More Time with Feeling

(2016)

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Evolution

(2016)

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The Take

(2016)

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Come and Find Me

(2016)

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Dog Eat Dog

(2016)

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31

(2016)

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Shin Godzilla

(2016)

Chan-wook Park's Stoker: Young girl meets Oldboy

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For better and worse, "Stoker," South Korean director Chan-wook Park's first film with an all English-speaking cast, is very much Park's baby. Park ("Sympathy for Mr. Vengeance," "Thirst") is most well-known for directing "Oldboy." In that now-famously bloody, operatic revenge drama, and most of his other films, Park takes great pains to steep viewers in his protagonists' subjective worlds. Perspective is accordingly a prison in "Stoker," a soapy Southern Gothic-style coming of age story with an Alice in Wonderland fetish.

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