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Baywatch

A full feature with a storyline that an enterprising six-year-old might have thought was a little too rudimentary.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Sheila O'Malley

Sheila O'Malley

Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. Along with Rogerebert.com, her work has also appeared in Film Comment, The Dissolve, Masters of Cinema, Movie Mezzanine, Flavorwire, Capital New York, Fandor, Press Play, and Bright Wall/Dark Room.  She has contributed video and print essays for various releases from The Criterion Collection. O’Malley wrote the narration (read by Angelina Jolie) for the Governors Awards Lifetime Achievement tribute reel to legendary actress Gena Rowlands. O’Malley also wrote the narration for the Governors Awards tribute to editor Anne Coates’, played at the 2016 Governors Awards. O’Malley writes about actors, movies, and Elvis Presley at her personal site, The Sheila Variations. A short film she wrote, "July and Half of August,” premiered at the 2016 Albuquerque Film and Music Experience.


Read her answers to our Movie Love Questionnaire here.


Recent Reviews

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The Commune
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Take Me
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Chuck
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Small Crimes

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The Commune

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Take Me

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Chuck

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Small Crimes

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Burn Motherfucker, Burn!

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Heal the Living

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Win It All

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The Discovery

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The Zookeeper's Wife

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Catfight

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Kiki

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American Fable

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Fifty Shades Darker

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Mr. Gaga

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I Am Michael

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Ma

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Bright Lights: Starring Carrie Fisher and Debbie Reynolds

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20th Century Women

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Patriots Day

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All We Had

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Things to Come

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Miss Sloane

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#268 January 7, 2016

Sheila writes: Happy New Year! In the wake of "Star Wars: The Force Awakens," I came across a video put together by violinist Taylor Davis, where she plays the famous themes from John Williams' original score, both "light" and "dark." Arranged, orchestrated and performed by Davis, it's a fun and rousing celebration of the possibilities inherent in that music. Have a look!

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#267 December 9, 2015

Sheila writes: Mike D'Angelo over at the A.V. Club has written a very interesting article called "What I learned from watching the first 10 minutes of 500 movies". He speaks of the challenge, as a film critic, to see as much as he can in any given year, not just the hits but the secondary films, the ones that don't generate any "buzz." In doing so, he started thinking about "the first 10 minutes" of films and how crucial they are. D'Angelo writes, "Basically, I give the movie 10 minutes to grab my attention. Most of them fail, and get turned off at that point. If I’m still interested, though, I’ll watch for another 10 minutes. There are two more potential bail-out points at 0:30 and 0:40; if I still want to keep going after 40 minutes, I commit to watching the entire film, even if it turns awful later." His essay has a lot of observations about screenwriting, first of all, but also the nuts-and-bolts of storytelling.

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#266 November 27, 2015

Sheila writes: To all the American readers of The Ebert Club, I hope you had a wonderful Thanksgiving! To spread a little joy, here is a glorious and fun "dance mash-up" of classic dance scenes from Hollywood films, to the soundtrack of "Uptown Funk." Mark Ronson was the superb editor, and he has noted that none of these clips have been sped up or slowed down to match the music. Beautifully done! Enjoy!

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#265 November 11, 2015

Sheila writes: With the release of "Spectre," the latest in the James Bond franchise, it's been impossible to avoid the accompanying chatter about 007 in all of his various incarnations. Over on Vox, Phil Edwards and Estelle Caswell got creative and put together a chart of every country James Bond visits in his espionage duties: James Bond’s career, in one map. Along with the chart, there's an accompanying video. It's great, check it out!

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#264 October 28, 2015

Sheila writes: Just in time for Halloween, check out this really fun Gump Studios mashup of the films of two masters of suspense, Hitchcock/Kubrick. The mashup is described as "Jimmy Stewart was having a rather beautiful day until he bumped into Jack and things got weird." Directed by: Adrien Dezalay, Emmanuel Delabaere, Simon Philippe.

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