The Danish Girl
The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.
Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program.
She writes film reviews and essays on actors for Capital New York, Fandor, Press Play, Noir of the Week, and the House Next Door. Her work has appeared in Salon.com and The Sewanee Review, where her essay about her father was featured in an Irish Literature issue.
O'Malley has performed her one-woman show "74 Facts and One Lie" all over Manhattan. She has read her personal essays at the prestigious Cornelia Street Cafe Writers Read series. O'Malley writes about actors, movies, books, and Elvis Presley at her popular personal site, The Sheila Variations.
Her first play, July and Half of August, recently had public readings at Theatre Wit in Chicago, and The Vineyard Theatre in New York. She is currently working on her second play, as well as a book about Elvis Presley in Hollywood.
Read her answers to our Movie Love Questionnaire here.
Sheila writes: In the films of Spike Lee, the characters often break the fourth wall and speak directly into the lens. There's a break in the action, and the dialogue spoken to the camera feels almost like it's from a documentary, with the "talking head" giving us more information for context. In this cut from the wonderful video-site "Press Play," watch the best To the Camera moments from Spike Lee's films.
Sheila writes: Quentin Tarantino's films are often tributes to other films, to other genres, to actors who have made their marks in the past. He loves it all, he has enthusiasm for all. Here, in this really fun Press Play video, Tarantino's visual references to other films are made explicit, shot for shot.
Sheila writes: Lists are always fun to discuss. They are certainly launch-pads for great conversation. I saw this clip a couple of days ago (shared by Rogerebert.com contributor Nell Minow) and thought I would share it. It's a lot of fun: The Top 10 Business Movie Speeches. What would you include on such a list?
Sheila writes: Filmmaker (and Ebertfest favorite) Ramin Bahrani has directed a new documentary short called "Lift You Up," profiling a man named Glyn Stewart. Bahrani met Stewart in a food bank while filming a commercial in North Carolina, and knew he wanted to make a film about him. In an interview on Rogerebert.com, Bahrani says, "I liked him immediately. He had an electric personality. He was so intent on laughing and hugging everyone, that I assumed he must be harboring a profound sadness. I wanted to know why." You can read the full interview with Bahrani, as well as view "Lift You Up" over on Rogerebert.com.
Sheila writes: I came across an amusing item in T-Magazine recently and wanted to share it with you all. Claudia Ficca and Davide Luciano are a collaborative team who have come up with a culinary/artistic project called "All Food No Play." The duo have designed food items inspired by Stanley Kubrick's "The Shining." Here is a small gallery of their work. My personal favorite is the Grady twins cupcakes, but all are quite creative and entertaining - and, hopefully, delicious!
Sheila writes: John Lennon kept a sketchbook throughout his life, filled with little drawings and doodles, and in 1986 Yoko Ono commissioned Oscar-winning animator John Canemaker to make them into a short film. The short film, "The John Lennon Sketchbook" hit Youtube officially on May 15 of this year. The images are accompanied by audio recordings of John and Yoko talking about their relationship, bantering and joking. It's lovely. You can watch the film below.
Sheila writes: The Rogerebert.com team was heartbroken to learn of the untimely death of director Prashant Bhargava on May 15. Rogerebert.com contributor and Far-Flung Correspondent Omer M. Mozaffar wrote a beautiful tribute to Bhargava on Rogerebert.com, saying, "He was a true auteur. Some auteurs resist categories and forms, rebelling against them. Some auteurs, push envelopes of structure and content. For Prashant, all the tools, genres, and techniques were options in his pallet, fusing various cultures and styles into a unique piece. In other words, he was not bound by the limitations of the equipment or conventions of the media available to him."
Sheila writes: Roger Ebert included Orson Welles' 1965 "Chimes at Midnight" in his Great Movies series, writing, in 2006, "It dropped so completely out of sight that there is no video version in America, Britain or France. Preparing to attend the epic production of both parts of Shakespeare's "Henry IV" at the Chicago Shakespeare Theater, I wanted to see it again and found it available on DVD from Spain and Brazil. Both versions carry the original English-language soundtrack; the Brazilian disc is clear enough and a thing of beauty. What luck that Welles shot in black-and-white, so there was no color to fade."
Sheila writes: With panels, special guests, golden thumb statues, and a lineup of fantastic films, Ebertfest 2015 was an amazing experience! The weather was beautiful, the flowers burst into bloom over the course of the festival, and, as always, Roger's home town was warm and welcoming. So much happened during the festival that it may have been hard to keep up, so the editors at Rogerebert.com has put together a wonderful Table of Contents, listing all of the dispatches, videos, reviews, and other Ebertfest content.
A report on the Monty Python event from the 2015 Tribeca Film Festival.