Panahi’s latest act of defiance is entirely commendable on a number of levels, but I regret to say that from my own perspective, Taxi is…
Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program.
She writes film reviews and essays on actors for Capital New York, Fandor, Press Play, Noir of the Week, and the House Next Door. Her work has appeared in Salon.com and The Sewanee Review, where her essay about her father was featured in an Irish Literature issue.
O'Malley has performed her one-woman show "74 Facts and One Lie" all over Manhattan. She has read her personal essays at the prestigious Cornelia Street Cafe Writers Read series. O'Malley writes about actors, movies, books, and Elvis Presley at her popular personal site, The Sheila Variations.
Her first play, July and Half of August, recently had public readings at Theatre Wit in Chicago, and The Vineyard Theatre in New York. She is currently working on her second play, as well as a book about Elvis Presley in Hollywood.
Read her answers to our Movie Love Questionnaire here.
Sheila writes: The Rogerebert.com team was heartbroken to learn of the untimely death of director Prashant Bhargava on May 15. Rogerebert.com contributor and Far-Flung Correspondent Omer M. Mozaffar wrote a beautiful tribute to Bhargava on Rogerebert.com, saying, "He was a true auteur. Some auteurs resist categories and forms, rebelling against them. Some auteurs, push envelopes of structure and content. For Prashant, all the tools, genres, and techniques were options in his pallet, fusing various cultures and styles into a unique piece. In other words, he was not bound by the limitations of the equipment or conventions of the media available to him."
Sheila writes: Roger Ebert included Orson Welles' 1965 "Chimes at Midnight" in his Great Movies series, writing, in 2006, "It dropped so completely out of sight that there is no video version in America, Britain or France. Preparing to attend the epic production of both parts of Shakespeare's "Henry IV" at the Chicago Shakespeare Theater, I wanted to see it again and found it available on DVD from Spain and Brazil. Both versions carry the original English-language soundtrack; the Brazilian disc is clear enough and a thing of beauty. What luck that Welles shot in black-and-white, so there was no color to fade."
Sheila writes: With panels, special guests, golden thumb statues, and a lineup of fantastic films, Ebertfest 2015 was an amazing experience! The weather was beautiful, the flowers burst into bloom over the course of the festival, and, as always, Roger's home town was warm and welcoming. So much happened during the festival that it may have been hard to keep up, so the editors at Rogerebert.com has put together a wonderful Table of Contents, listing all of the dispatches, videos, reviews, and other Ebertfest content.
A report on the Monty Python event from the 2015 Tribeca Film Festival.
A review of "Meadowland" at Tribeca 2015.
A review of the baseball doc "Fastball," playing at Tribeca.
A rave review of "El Cinco," playing at this year's Tribeca Film Festival.
A report from Tribeca on Albert Maysles' last film, In Transit.
A Tribeca Film Festival report on two documentaries: Gored and Among the Believers.
Sheila writes: It's Ebertfest week! I hope to see some of you there. It's going to be a wonderful week! You'll find lots of links below about the Ebertfest films and panels. In the meantime, I wanted to share a really fun link I found this week, showing vintage photographs of the elaborate set for Alfred Hitchcock's "Rear Window." It's pretty extraordinary stuff! And because it's always good to check in with Roger Ebert on all things cinematic, now is as good a time as ever to re-visit his Great Movies review of "Rear Window."