In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_n4dxoyc8wh2rzojag2eynor2eth

The Maze Runner

What’s intriguing about “The Maze Runner”–for a long time, at least–is the way it tells us a story we think we’ve heard countless times before…

Thumb_evfwnbohmbz7fedze6uuowisxcz

20,000 Days on Earth

In his music, he routinely celebrates/deconstructs his public persona: brutalizer, coward, agnostic, and wannabe deity. "20,000 Days on Earth" is accordingly not a biography, but…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Channel Archives

Contributors

Scott Nye

Scott Nye

Scott Nye holds a degree in Media Studies from Emerson College. He is a member of the Online Film Critics Society. He writes for Battleship Pretension, CriterionCast and other publications. You can read more of his work on railoftomorrow.com.

"That's not a plot hole. Allow me to explain."

Primary_inception-original

You see it happen more and more often these days: a movie pauses to address a potential plot hole, then explains it away with clunky dialogue or ignores it and moves on. The movies are trying to plug leaks in a boat before the whole thing sinks—never quite repairing it, but doing just enough to get by.

Continue reading →