A dazzling story of love, obsession, con artistry and revenge, directed by a modern master.
A native of Chicago, Sam lives and works in San Francisco as a journalist and student at San Francisco State University. He's the founder of Movie Mezzanine, residential film critic for SF Bay and member of the OFCS. He also happens to be (consistently) illogically idealistic about everything (save for politics).
Why DiCaprio doesn't get lucky at the Oscars; Atheism in Hollywood; Famous rejection letters; Wes Anderson as an advertiser; Auteur theory and Kent Jones.
Eric Kohn attends the Oscars; The economical realities of being an actor in Hollywood; Product placement at the Oscars; A woman confronts her critics; Remembering the Laser Age.
Kim Novak and aging; Michelangelo Antoniono's Blow-Up; A comical story about Church organists; In defense of jaywalking; An argument to bury the 'In Memoriam' segment.
Lost, Oscar-nominated films; Lupita Nyong'o and beyond; Evaluating Ellen DeGeneres as the Oscar host; Oscars snubs and surprises; A recap of the Oscars from The New York Times.
Generation X has midlife crisis; Oscar predicability; Popular Twitter accounts making money; Casting directors getting praised for their work; Charlie Chaplin's monologue.
Stephen Tobolowsky remembers Harold Ramis; Alec Baldwin says goodbye to public life; A snipe at Jared Leto and his performance in Dallas Buyers Club; Jimmy Fallon is not funny.
A grown man is addicted Legos; How we define a great year for movies; Women and the Oscars; Bourne as the best action-hero; Martin Scorsese's New York City.
Harold Ramis dies at 69; A look at the state of film criticism; Method acting destroying the profession; Meryl Streep and the Oscars; Sex and the City ten years later.
An interview with Wes Anderson; Wesley Morris on the state of gay culture; True Detective and women; Gawker founder Nick Denton tells all; Film preservation 2.0.
The Wolf of Broadway; Kevin Costner's potential comeback; A reporter who spent a year observing college fraternities; An examination of Kurosawa's High and Low; Dana Stevens on Miyazaki's last film.