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A Letter to Momo

Even scenes that work, such as a climax on a rain-soaked bridge, feel like they could have been trimmed by a few hand-drawn frames. Maybe…

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Cannibal

Visually striking and confident but frustratingly hollow in terms of character and narrative.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Sam Fragoso

Sam Fragoso

A native of Chicago, Sam lives and works in San Francisco as a journalist and student at San Francisco State University. He's the founder of Movie Mezzanine, residential film critic for SF Bay and member of the OFCS. He also happens to be (consistently) illogically idealistic about everything (save for politics).

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Eric Kohn attends the Oscars; The economical realities of being an actor in Hollywood; Product placement at the Oscars; A woman confronts her critics; Remembering the Laser Age.

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Lost, Oscar-nominated films; Lupita Nyong'o and beyond; Evaluating Ellen DeGeneres as the Oscar host; Oscars snubs and surprises; A recap of the Oscars from The New York Times.

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Generation X has midlife crisis; Oscar predicability; Popular Twitter accounts making money; Casting directors getting praised for their work; Charlie Chaplin's monologue.

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Stephen Tobolowsky remembers Harold Ramis; Alec Baldwin says goodbye to public life; A snipe at Jared Leto and his performance in Dallas Buyers Club; Jimmy Fallon is not funny.

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The Wolf of Broadway; Kevin Costner's potential comeback; A reporter who spent a year observing college fraternities; An examination of Kurosawa's High and Low; Dana Stevens on Miyazaki's last film.

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