The Boy Next Door
The Boy Next Door has its share of so-bad-they’re-good moments – and details, and chunks of dialogue – but not nearly enough. Mostly, they’re just…
A native of Chicago, Sam lives and works in San Francisco as a journalist and student at San Francisco State University. He's the founder of Movie Mezzanine, residential film critic for SF Bay and member of the OFCS. He also happens to be (consistently) illogically idealistic about everything (save for politics).
Two visions of Metropolis; Movies with women in main roles make more money; Domestic violence in The Long Goodbye; An interview with Thelma Schoonmaker; Dissecting male violence and beginning a conversation that needs to be had.
A blind critic shows us the light; The Wire and Juice; Death in television; Mac DeMarco and Salad Days; Teenage sexual promiscuity.
Spike Lee writes an open letter to A.O. Scott, A The Shining producer calls Room 237 "idiotic"; Facebook's latest money-grabbing ploy; Introducing The Critical Press; Archie Bunker and Norman Lear.
Understanding consciousness; Inside Llewyn Davis and Mad Men; Canceling the Colbert Show; John Wayne biography; Amtrak's shoddy writer's program.
Entertainment Weekly pays writers in non-existent prestige; The pleasure of Masters of Sex; The Rock and prewar cinema; A brilliant (also illegal) streaming service; Forming opinions.
Nymphomaic explains the career of Lars von Trier; Nolan rejects 3D; Critics should write about form, except when they don't want to; A 1970s mother blogs; HBO challenges Netflix.
Beauty shaped by evolution; A tribute to Philip Seymour Hoffman; Onslaught of YA adaptations; Facebook purchases Oculus; Chris Evans retires from acting.
A study on when a joke is too soon; Jim Rebhorn writes his own obituary; Disney makes an acquisition; Sudden death in The Good Wife; An Iranian cinema podcast begins.
A career-view of the Coen brothers; Movie app shuts down; Nymphomaniac is not pornography; Cyberpunk renaissance forming; Negative take on No Country for Old Men.