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American Sniper

American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…

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The Interview

Opportunities at rich satire flatten out into Hangover dude-dope-doodoo jokes, where the premise is that there’s nothing funnier than watching over-privileged grown men act out…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Sam Fragoso

Sam Fragoso

A native of Chicago, Sam lives and works in San Francisco as a journalist and student at San Francisco State University. He's the founder of Movie Mezzanine, residential film critic for SF Bay and member of the OFCS. He also happens to be (consistently) illogically idealistic about everything (save for politics).

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How healthcare handles bipolar disorders; Examining the films of Jonathan Glazer; Movie of the week at The Dissolve is Clueless; Reevaluating William Friedkin's Sorcerer; Wes Anderson directed commercials.

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Tilda Swinton, interviewed; The story behind "Boy With Appple"; Analyzing how rape is depicted in television; "Poptimism" and music criticism; Thoughtful reflections on Roger Ebert.

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Two visions of Metropolis; Movies with women in main roles make more money; Domestic violence in The Long Goodbye; An interview with Thelma Schoonmaker; Dissecting male violence and beginning a conversation that needs to be had.

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Spike Lee writes an open letter to A.O. Scott, A The Shining producer calls Room 237 "idiotic"; Facebook's latest money-grabbing ploy; Introducing The Critical Press; Archie Bunker and Norman Lear.

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